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Comp-3A

Golden Age Project Comp-3A
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Description

ONE CHANNEL VINTAGE STYLE OPTICAL COMPRESSOR
The COMP-3A is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available. Integrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires.

The subjective sound quality delivered by vintage equipment is often preferred over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment. This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.

The circuit used in the COMP-3A is based on a classic design that uses an electro-luminescent panel and a photoelectric cell to control gain. This gives the COMP-3A a unique, program dependent compression characteristics. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favorite of engineers and musicians worldwide. This classic sound is now available at a very affordable price point with the COMP-3A.

Discussions

GAP COMP-2A and COMP-3A?!

I fiddled with the COMP-3A at AES at the Alto Music booth. (They did not have the COMP-2A.) Build quality seemed great. It felt just like a real la-3a except it employs a wall wart. Wasn't plugged in so I didn't hear it though. gooof

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Gear Porn thread - pics of your slutty setups

...550a, 2 x Moog 500 stereo linked ladder filters, Zoom Q8 camera + Tentacle sync E #1 , 2 x GAP LA3A, Moog Minitaur, Korg MS20M, Moog DFAM, Vermona Retroverb, Korg SQ1, Furman PL-PLUS C #1, Speck Xtramix #1 , GenoQs Octopus, Analogue Solutions Oberkorn, Moog CP-251, VX-351, VX-352, Voyager, TTSH, Jomox 999, Oberheim...

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Taking off the digital edge

Analog compression. Preferably the API 2500. My pair of GAP la3a opto comps brighten it up ... usually I want to do the opposite on digital signals with VCA comps. I do use those opto's on the sampled piano in my latest track in my sig. For stereo distortion I am digging the Elysia...

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