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REDD Microphone

Chandler Limited REDD Microphone
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Continuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Studios introduce the first new EMI badged microphone in over a half century, the ‘REDD Microphone’.

Designed by Chandler Limited Founder and Chief Designer, Wade Goeke, the patent pending REDD Microphone represents a shift in traditional microphone design, bringing together historic circuitry and the heralded EMI REDD.47 preamplifier sound in a new and unique way.

Visually, the aesthetic is unmistakably classic, an ode to a gilded age of audio; however, the REDD Microphone is not a U-Type clone or derivative of any other microphone.

The Chandler Limited REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamp into a single, beautifully handcrafted professional recording device. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit directly coupled to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamplifier.

This new and unique microphone design, fusing the mic capsule to the historic REDD.47 line amplifier circuit, provides the shortest possible distance between the two most important elements in the recording chain.

The proximity of the REDD Microphone’s custom capsule to the internal tube mic preamp, allows it to deliver a larger than life full-bodied sound, with a velvety smooth top-end.

Rigorously tested at Abbey Road Studios on a variety of sources and against some of the most famous and classic microphones in recording industry history, the REDD microphone excelled.

Abbey Road’s former Chief Engineer, Peter Cobbin-

"During the development I have had the opportunity to road test this mic on the best of acoustic applications. Abbey Road has one hell of a mic collection and by making comparisons to other legendary and vintage microphones has given us a serious benchmark to work to.

Typically for recording an artist like Sting I would use 3 classic microphones and choose the best. For recording rare Stradivarius cellos worth millions I would reach for something really special. On almost every application from acoustic guitars, hand percussion, vocal artists to full symphonic orchestras, in my comparative testing The REDD mic shines above them all. "

The Chandler Limited REDD Microphone was designed to handle a variety of source material, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars.

Features available from the microphone body, include: REDD.47 Mic Amplifier, providing nine gain selections, from +4 to +33db in the ‘NORM’ position, extended gain and punch in ‘DRIVE’ mode for more tonal and coloration possibilities, switchable Cardioid/Omni patterns, 10db Pad, and Phase reverse. Continuous output and low-contour control are accessible from the high-quality external power supply.

Shockmount, 25’ Mogami microphone cable, PSU, and custom molded flight case, featuring high-density rigid foam, are included.

NOTE: Actual PSU differs from early promotional images, the final release PSU was updated, adding a jewel light to the front panel, and relocating the power switch to rear.

Abbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.


Chandler REDD microphone

I was able to use the Chandler REDD mic for some sessions I have been doing, and it completely blew me away from the moment I hooked it up. my ears were smiling from cheek to cheek...

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At last: new Mac Pro!

...that you can't afford it. Do you also complain to the world that you can't afford to purchase a Chandler REDD mic, BAE 1073 preamp, drive a BMW, or own an Omega timepiece? This isn't a toy and Apple don't owe it to any of you to make their top of the line machine...

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What's on your purchase list for 2020?

Crazy talk! :) The redd is not a point and shoot noob mic. There is a narrow sweet spot with the gain, among other considerations like proximity and room placement, but once you nail it there is nothing better IMO. Please direct me to a more natural sounding vocal mic and I will check it...

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