The Yamaha HS7 is a 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter. The Yamaha HS-Series have the inherited universal mix-translation legacy and distinctive white cones of the industry-respected NS-10's, designed to deliver your mixes with transparent honesty. Room control and frequency response switches allow custom tailoring of the monitor's response to give you accurate performance in any environment. High-performance Speakers and Mounting System The elegant white-cone speakers used in the HS-series monitors deliver superlative audio performance that is further enhanced by a carefully engineered mounting system. A system of screws and a specially designed mounting ring eliminates spurious vibration and resonance, allowing the speaker to deliver its full sonic potential. Another feature that boosts woofer performance is a magnet selected to produce accurate, solid low-end response. The tweeter frames employ an advanced smooth-contour design that minimizes losses so that high-frequency details come through with remarkable accuracy. The extra thickness of the tweeter frame also minimizes resonance that can interfere with high-end clarity. The overall result is extraordinarily smooth, accurate response throughout the audio spectrum. The Benefits of Built-in Power and Bi-amplification Powered, bi-amplified monitor speakers simply make the most electrical and sonic sense, and that's why they have become the first choice of sound professionals the world over for near- and mid-field monitoring applications. In addition to the obvious advantage that you don't need separate power amplifiers, the fact that power and speakers are integrated in one unit means that the amplifiers can be perfectly matched to the characteristics of the speaker units used so you get consistently superior performance with any source in just about any listening environment. Bi-amplification means that separate power amplifiers are used to drive the low-mid and high-frequency speaker units, and this eliminates interaction between the units as well as the response and phase anomalies introduced by passive crossover networks. Both speaker units can function at optimum performance levels for correspondingly high overall sonic quality. Large Magnets in an Advanced Magnetic Circuit Design One feature of the HS-series monitors that you'll hear but are not likely to see is the extra large magnets. In combination with an advanced magnetic circuit design these magnets provide a powerful, uniform, tightly controlled flux field that results in exceptionally smooth response and dynamic capability over a wider frequency range. Portable, Versatile Monitoring for Your Audio Workstation All you really need for top-class stereo production capability is a good audio workstation and a pair of HS-series monitors. A system like this is not only portable and extremely easy to set up anywhere you need it, it can deliver outstanding monitoring performance that will let you get your mixes just right. The response-control features of these monitors let you tweak them for the best response no matter where you set them up. Serious Surround Production Although stereo is still the most common format for basic music listening, 5.1 surround has become the audio format of choice for today's advanced visual media, and is beginning to be recognized as a superior vehicle for pure musical enjoyment as well. But to properly mix and produce surround sound you need a good 5.1 monitoring system. The HS-series speakers and subwoofer are the perfect choice if you want competitive surround-monitoring performance without having to spend big-studio megabucks to get it. Optimum Response In Any Room Speaker response can vary greatly depending on the size, shape, and surface acoustics of the room in which they're used, as well as how they're placed within that environment. The HS7 gives you extra room-matching and speaker placement versatility with ROOM CONTROL, MID EQ, and HIGH TRIM response control switches that are specifically designed to compensate for common acoustic deficiencies and monitoring needs. The ROOM CONTROL switch, for example, can be used to compensate for the unnatural low-end exaggeration that usually occurs when speakers are placed close to walls or in corners. The MID EQ switch gives you subtle midrange boost and cut options in addition to flat response, while the HIGH TRIM switch offer the same type of response-tailoring capability for the high frequencies.
...in terms of resolution, coloration, imaging, frequency range, etc. I guess it is actually more related to two of them HS7 vs. HS8. Or they are all pretty much even and the actual difference is just frequency range?
...to the measurements you take with the microphone. Still, I would rather have a treated room and a pair of cheap HS7's than an untreated room with 8351's. Honestly treat your room first and then start comparing monitors. If you do plan on treating the room later then you may well pick the wrong set...
...then the passive a tad...even when i swapped the L and R buttons. Anyway, im looking at Tannoy Reveal 802s, Yamaha HS7 but if go for a HS8 price rage i rather look at KRK, Adams, JBLs, Focus etc, but atm im after the price range of the Tannoy Reveals which are about the same...
They sound good at the store but that's not necessarily a good thing. When it comes to mixing they fall short big time.
The stereo image isn't detailed enough and the width of the mix and placement of certain tracks is difficult to gauge. For this reason, you'll probably have problems with track...
They sound the best out of the new HS series.
Might not be ns10s, not charging your for them either.
Good , accurate lows.
Sorry they arent your Focals.
Buy them, like em, sell em, live en im
These are good, reliable monitors for a home studio. Here is a list of my findings:
1) Their build quality is excellent.
2) They need to be broken in when new. This might explain why they lose to JBL LSRs when "A-B'ing" at Guitar Center or Sam Ash showrooms (JBL breaks theirs in at the...
Yamaha HS7 is not a medium sized bookshelf active studio monitor, they are slightly bigger than medium.
Yamaha HS5 is very midrange heavy,no bass at all, HS8 to much bass,power for most people, Yanmaha HS7 with it's 6.5" subwoofer not 7" is something between the HS5/8 more bass than HS5 and not...