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The Tone Beast is a great mic pre with loads of gain that can effortlessly capture an array of sources very well. With top notch CineMag transformers and multiple discrete signal paths, it's hard to beat its big, bold, fully-professional sound at its price.

The Tone Beast is a mic pre that likes to be pushed and when pushed will colorize your signal ever so sweetly. The 2 opamps and 2 output transformers at the flip of their switches won't appear to be much different, but as one drives the pre into harmonic distortion, the unique character of each of these components becomes apparent. Additionally the Tone Beast is customizable and allows for other opamps to be sourced and easily swapped into the unit. I've pulled my best tones from this pre right at the saturation point (as loud as I can push the gain before clipping). The output control on the TB12 allows you to limit the signal exiting the preamp even when pushing the gain to really hot levels, giving you maximum control.

The x731 (Melcor 1731) and x18 (Dean Jensen's 918) Op Amps saturate a bit differently. The 1731 breaks up faster and has more color when pushed. The 918 is fairly linear/clean with a smidge of character and does not break-up/saturate as quickly. The 100% steel output transformer colors the signal more than the 50% nickel transformer when pushed. However, both are designed to impart character. The 50% nickel transformer will impart less character and provide greater high and low frequencies. For an ultra clean, character-lacking tone, try the x18 while bypassing the output transformers completely.

Have no fear of hurting the Beast, you can push it very hard into full-on distortions if you wish, and these can sound quite nice on electric guitar, bass or anything else that likes some nice grit.

When hand building mic pres I learned a bit about the "subtle" differences component choices can make. A little change here, and another there often times became a huge deal in a finished mix, but often times is not very noticeable at first take. The different component options in the TB12 are subtle, but when driven into saturation are noticeable and can make a big difference to the way your final mix will sound.

Home-based musicians and professional studios alike will find the Tone Beast to be an extremely powerful and fully professional piece of gear that is capable of warming and shaping signals/mixes in a way that is very pleasing to the ear.


Warm vs GAP vs others? Which preamp?

...been looking at: Warm Audio WA-12 MK II GAP Pre 73 MK III with or without Carnhill transformers (worth the extra $$$?) Warm Audio Tonebeast (also worth the extra $$$?) any others?

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Warm Audio introduces BUS-COMP - Stereo Bus Compressor

...option to switch in/out transformers (ins & outs in that case). But the Warm is half the price. I've owned a ToneBeast in the past. It was nice for the price. Had it modded by Revive & that made a (small) difference but when I stepped up in price range, I definitely noticed a bigger...

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Looking for the right preamp...any advice gratefully received!

I recently purchased a Warm Audio Tone Beast. Found one on Reverb for $300US. I honestly wasn't expecting a giant difference in my recordings but I was surprised at the tonal capabilities of this preamp and quickly realized it did make a difference. Obviously it's preamp dependent, but the TB added a bit of oomph to...

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