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Description

Apollo 16 is a 24-bit/192 kHz audio interface, delivering world-class conversion with 16 x 16 analog I/O — twice the analog connectivity of the original Apollo model. This uncompromising FireWire/Thunderbolt-ready interface combines superior sound and flexible routing with powerful onboard UAD-2 QUAD processing. So you can track audio in real time through the full range of classic UAD analog emulation plug-ins — from Neve, Studer, Manley, Lexicon and more** — on both Mac and Windows 7.* Apollo 16 brings a true “no compromise” approach to every aspect of its audio signal path. Building upon decades of UA hardware expertise, it features meticulous analog circuit design, top-end converters, and DC-coupled outputs — providing the lowest THD and highest dynamic range of any converter in its class. Specifically, the Apollo 16’s deep, wide soundstage, and its exceptionally open and transparent sound, makes it the ideal centerpiece for professional recording studios. With its standard UAD-2 QUAD processing onboard, Apollo 16 allows recording in real time through UAD Powered Plug-Ins — with as low as sub-2ms latency — so you can monitor, audition, and “print” audio through stunning analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more.** Better still, Apollo 16's Realtime UAD Processing is also available during mixing and mastering, so that music producers can employ UAD plug-ins (VST, RTAS, AU, AAX 64) throughout the creative process. Apollo 16 offers compatibility with Thunderbolt technology on Macs via a user-installable dual-port Thunderbolt Option Card (sold separately). Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency. Because Thunderbolt offers many times the bandwidth of FireWire, it allows studios to connect numerous devices in series with the Apollo interface — including hard drives, processors, and additional computer monitors — all with fast, flawless performance. Apollo 16 boasts straightforward 16 x 16 analog I/O via convenient DB-25 connections — perfect for pairing with mixing consoles, outboard processors, cue/headphone systems, and more. Two Apollo 16 units can be cascaded over MADI for an expanded system with eight UAD processors and 32 x 32 simultaneous analog I/O, capable of handling large professional mixes. The Apollo 16’s enhanced routing capabilities includes four stereo Cue mixes with individually assignable outputs, and a “Virtual I/O” feature that allows Realtime UAD Processing of DAW tracks and virtual instruments. Apollo 16 boasts numerous design details that give you a fast, natural workflow. Its Monitor outputs are digitally controlled analog, so you don't lose audio resolution when you adjust gain. More than 195 high-visibility LEDs provide full input and output metering, and with zero “hot spots” or light bleed. Finally, standalone operation means that you can use Apollo’s audio connections, and last-used DSP mixer settings, even without a computer connected.

Discussions

Gear list "Under the Sun"

... Mic - Vintage Sennheiser MD421 (hand held). Mic pre - Chandler Limited Redd.47. Compressor - Universal Audio 1176LN. Into a Universal Audio Apollo 16. The main part of the track is a Circuit bent (Freeform Delusion) kids toy, Called Kids way. The drums are a Hammond Auto vary 64. Arp Odyssey for the intro synth and i...

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Evaluating AD/DA loops by means of Audio Diffmaker

here's a Universal Audio Apollo 16 mk ii (internal clock) http://otherdog.net/dbct/Apollo16mkii-InternalClock.wav I understand these interfaces have a separate (and better?) D/A for the monitor outputs. I tried creating a file by directly connecting two inputs to the monitor outputs, but I had big gain issues - there was a lot of clipping. I have...

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Evaluating AD/DA loops by means of Audio Diffmaker

...dB (L), 0.4 dB (R)..Corr Depth: 30,3 dB (L), 32,1 dB (R) Difference*: -50.7 dBFS (L), -52.1 dBFS (R) Universal Audio Apollo 16 mkII (antichef) 0.1 dB (L), 0.1 dB (R)..Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference*: -50.7 dBFS (L) , -52.1 dBFS (R) RME Fireface 400 didier.brest: 0.3 dB (L), 0.3 dB (R) Corr...

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