Quote:
Originally Posted by
chrischoir
yes that is what I am saying especially with VI and VST
When I used reaper on an i7 a few years ago it started to get bogged down in around a 150 at 96/32 with lots of plugins. I did 500 tracks on Cubase at 96/32. The Cubase version I was using only could support 500 so I couldn't go higher.
My guess is raw audio performance in reaper should be the same as Cubase but it is plugin performance where I saw a difference.
What are the most tracks you can do with reaper? I'm not sure.
After around 100 good plugs almost all with latency compensation to avoid aliasing and cramping at 44.1 kHz, at a high buffer for mixing, reaper becomes a creaky mess without freezing on any computer. Riding the faders is a pain in the ass then. They’re delayed and I have to hit stop and break my workflow. If someone wants to use ****ty Waves and Cockos plugins be my guest but I’m not. That’s like eating a microwaved McDonald’s burger when you have a steak.
Reaper will get bogged down before cubase but Cubase will run out of cpu faster. Reaper is more cpu and ram efficient than cubase, it’s Reaper’s blockheaded plugin delay compensation. Cubase just delays it by the samples rounded up to the buffer x whatever. If you’re mixing with 512 sample buffer in cubase with 4 latent plugins reporting 64 samples each for 256 samples total, that’s under 512 and the whole thing gets delayed by 512 in Cubase and most other daws iirc. Reaper delays for each latent plugin by increments of the entire buffer. So 4 x 64 sample latent plugins means 2048 samples of delay in reaper. A plugin that reports 513 samples of delay gets delayed by 1024 samples at 512 buffer. Crazy. Justin posted he would fix it but hasn’t yet.
That being said, Reaper’s automation is more accurate than Cubase’s, which is tied to the buffer. Change buffer, volume automation gets ****ed. I have no ****ing idea what ASIO Guard is doing to the automation either.
Reaper and Pro Tools are the only things whose default settings do not mangle audio upon import too. Reaper just needs a bunch of downloads to work out of the box: SWS, Reapack, the ReEQ JS plugin, and a compressor that’s not a distorted piece of **** like ReaComp. Cubase has it all but needs setting tweaking and being careful with buffer and automation. The midi is great and Channel Strip is the only great digital channel strip I’ve used. Reaper is always some Windows 98 Microsoft office **** but I don’t mind that really.
Both run better than Pro Tools Native ime while HDX is way too much $$$$ and Avid can break non-Avid branded converters at any time to force you to buy outdated crap, Avid branded chinese crap, or the ridiculously expensive MRTX. The cheaper 16 channel MRTX Studio still costs 1k more than the 16 channel Lynx Aurora N Thunderbolt. Avid’s programming is now contracted out to the Eastern Block too. The AVID premium and tax is just pocketed by the management to not update the software regularly to be compatible with operating system and hardware changes unlike Reaper (It will work but features will remain half-assed and cobbled together) and Cubase. Yamaha still pays the Germans to make sure it works by November.