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Recording vocals with speakers on 2
Old 12th May 2011
Gear nut

Thread Starter
Recording vocals with speakers on 2

Hi all!

I did find a similar post, but not with this approach .. what do you think?

Today I did some experiments, don't know if this is done before .. but I'll share my idea for discussion. Recording vocals with speakers on.

1) Setup the mic and a gain setting for the song (or part of the song)
2) Set a comfortable level on 1 speaker
3) Be very quiet and do a silent pass, record the spill in the mic
4) Don't change any levels on the pre/speaker, don't change mic position ..
5) Record your vocals
6) Buss the silent pass (flip the polarity) with the recorded track
7) If desired, bounce the vocal buss for easier editing

I found out this worked pretty good .. and got a very clean vocal to compress/eq afterwards doesn't eliminate the spill completly .. but it did give a serious and very workable reduction.

NOTE .. when you change mic position/pre-amp gain/speaker level .. re-record the silent mic-spill pass for that part. That's the only trade off I guess.

Worth trying, or done before?

Last edited by chielio72; 12th May 2011 at 01:32 PM.. Reason: added examples
Old 12th May 2011
Gear nut

Thread Starter

The buss has some eq/compression sort of like a real world scenario .. left all other effect off.
Attached Files

snippet vocal without flipped spill.wav (2.47 MB, 36 views)

snippet vocal with flipped spill.wav (2.47 MB, 48 views)

Old 12th May 2011
Gear maniac
stuntbutt's Avatar

I've done this to good effect with recording small choirs to backing tracks. A lot easier than getting 12 headphones running.

I don't even bother with the null pass until the end of the session, that way any adjustments I make in the session will null.

You can't record with any compression as it will mess up the cancellation with the null pass.

I've also recorded small groups by placing a speaker to the side of a figure 8 mic. I get the speaker close to the mic, 12"-18". You can squeeze in up to 6 singers by using both sides of the fig 8. The isolation is pretty good even without a null pass.

It's important with both these techniques to have a music bed with similar balance to the finished mix and doesn't contain any click/guide tracks that you don't want to hear in the finished mix.
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