Quote:
Originally Posted by
James 'LA' Lugo
I don't get the assumption that people who make music in major markets for money don't do it for the love of it. First off IMO just because you're trying to go all the way doesn't make you not heartfelt. I don't believe that. As for me growing up my father owned a car dealership I could have gone into his business and been rich today instead I moved to LA when I was a kid and lived in my can for a looooong time! Talk about committed and heartfelt. I don't live where I grew up, my family's 3000 miles away and I still struggle and I did it all for music!
I didn't mean that the way it came off, James. My apologies. Did not mean to offend you.
I just meant to say that the focus is different, and in major markets you have a lot of people trying to fit into an image or a target market,, pressure to write the "big hits" get radio play, get placements, etc..., commercial success.. you know, "making it". In a lot of small communities, there are no illusions of any of that. free from commercial pressure there is a lot more variety, and I dare say artistic integrity(im not referring to you because you are obviously passionate about what you do) .
Commercial success in my mind means that someone is very good at adapting to what the mass market/record company/media mogul suits want, being shoehorned into an image or "box". Nothing inherently wrong with that....and i know that folks are passionate and driven in the big markets, but in so many cases there doesn't seem to be much substance...thats to be expected when expression is throttled for monetary considerations(of course there are exceptions...the Black Keys being one, Arcade Fire and Wilco being others)
but that's just the nature of the beast I guess...you hear all the time about artists paying the record company pipers so that they can "Finally make the records THEY want to make"...
thats where my vote for Greensboro came from.... it is a small place, but full of insanely talented people. There is no music marketing machine or people trying to get their songs placed(or not as much). you have a school there with a great music program and another school a few miles away with the best music school in the state.... a tight knit community of musicians who don't have any illusions about "making it" commercially...and when a band has no pressure like that to deal with, the music tends to be better, much, much better( im sure there are exceptions) Garges said there weren't any "long standing studios"...but these days that doesn't really mean much. I actually see that as an *opportunity*!! Big Facilities are becoming less and less important(although talent is in high demand). There are no doubt plenty of people wanting to be recorded there...as is normal when you have a music university(UNCG and NC School of the Arts) town.
I prefer the small scenes, the DIYs, the underground. A fine example of a person that does well occupying this "underground" world is Silver Sonya/Chad. He had some fantastic thoughts on this. Theres a whole world out there, a separate economy/ecosystem for those that live outside of the "commercial machine"
https://www.gearslutz.com/board/5735409-post121.html
again, James, my apologies if I came off the wrong way. I did not mean to imply that you were not passionate or anything like that. You are obviously an extremely motivated guy, passionate about music. you said it best when you said that the two worlds are "apples and oranges"