...........haven't listened to the track but automation is your friend, very, very easy in a daw and you have complete control............just takes a little practice, combined with eq and your set to go.
Well from the 8 seconds of 5 songs I listened to on that myspace link there's some (sometimes major) distortion, and (to me) too much reverb on those vocals, so you could try that lol... I don't particularly like that sound so it's hard for me to comment.
ps: The best way to get a vocal, instrument, or anything to sound a certain way is to start by getting the artist to sound that way from the get-go. Too often people forget this. Not saying you're one of them, but think about it.
Thanks for the feedback. I've been calling vocal sounds that are more or less like that Best Coast example the Gorilla v. Bear sound. I guess that label won't be useful forever, but for now, much of the indie/KCRW stuff you can hear at gorillavsbear.net sounds distant, drenched in reverb, and also with a very vowely/inarticulate quality. I think this is a fad, but nonetheless I came across a situation where it's appropriate -- where the vocals I've recorded sound like a horn-section part, with a mix of some staccato notes and some long crescendoing notes. So anything that'll make the vocals take on a brassy sound would work well.
There's a lot of distortion on those vox. I'd guess that a lot of the highs were rolled off before they pushed it into distortion and that would de-emphasize the consonants. The tone vaguely reminds me of a Silver Bullet harmonics mic I used to have. Standing back from the mic will also de-emphasize consonants and of course.... the vocalist can always downplay the consonants while singing.