Quote:
Originally Posted by
JGM
So all other settings are same for mixing into and limiting/clipping except for Enhance?
Yup!
Quote:
Originally Posted by
Brent Hahn
Wow, different strokes as they say. I wasn't entitled to an opinion before a kind GS'er sent me his Zulu for a week. I probably worked with it for at least 20 hours. And I did find things to like about the unit, but boy was that Enhance knob not one of them.
Quote:
Originally Posted by
Rob Coates
Same here. I hated what that Enhance knob did. I would also challenge the idea that there is a built in limiter in ZULU. There's no built in limiter that I'm aware of. I never thought it was doing any real compression and certainly not limiting. I've gone back to processing digital tracks thru my last remaining 2 track reel to reel and I couldn't be happier. Only do this for some tracks, like acoustic guitar. In the past year or so, I've discovered I don't want every track "tapefied"
As ill says, it's all about mixing into it. Adding enhance at the end is not a good idea (unless your mix needed it).
It's not that there is a limiter built into it, but rather it can be
used as one. I was comparing driving into the Zulu vs:
OVC128 > Elephant
OVC128 > Pro L2
OVC128 > AOM G2
OVC128 > Limiter 6
The clipping/limiting total was around 5dB, all hitting the same LUFS. Pushing into the Zulu, with the settings I mentioned, would not exceed 0dB (no matter how hard you drive), just as pushing into the ITB chains. If you used a lower headroom setting on the Zulu, the level would be lower, but it would still level and not exceed it.
This track has about that much clipping/limiting via the Zulu. FWIW that track was written, tracked, mixed and mastered in 1 day as a creative/productivity challenge.
I don't think of the Zulu as a tape machine either. ATR102 for that :¬)