Quote:
Originally Posted by
Patrick Norton
No one is "really" mixing or mastering on headphones.
Use nice speakers in a well-treated room. Also check on crappy speakers. Also check in car. Also check on nice headphones. Also check on crappy headphones.
Although we love to obsess about it here, brand and model mostly does not matter as much as your familiarity with them does.
I will say that at one point I was forced to mix on headphones and used a nice set of grados. The mix turned out really well but I still had to do several adjustments when I got the chance to play it on speakers.
I still use grados, sennheisers, and AKG's in my studio.
Sennheiser, grado, blue, beyer, ... All are good at certain things. Choose the one that you are automatically comfortable with and then become familiar with them.
All of our heads are different. Choose what works best for you!
Check out the Smyth Research Realiser A8, a dedicated headphone DSP box that with suitable headphones can be used to provide a pretty good simulation through the headphones of the sound of a mastering studio (reputedly... I have not yet pried open the wallet to buy one, so have no direct experience). You need access to that mastering studio for capturing the suitable DSP transfer function, which includes response of the speakers, acoustic response of the room, unique HRTF of the specific listener's head, and the response of the headphones on the listener's head.
Suitable headphones don't have to sound especially good without the DSP because the box applies necessary EQ, but the headphones would need to have a response that can be forced to the target response. Such headphones would exhibit adequately wide bandwidth, no suckouts in the audible frequency spectrum, and no high Q resonances in the response. It also accommodates the use of subwoofer(s) in combination with the headphones.
With that, and with brief access to the real examples of what you are simulating, you should be able to generate simulation profiles of a good mastering studio setup, other setups with EQs suitable for mixing, lo-fi consumer setups, car-fi, etc. ...all played back through the same headphone setup.
This post is starting to read like a sales pitch, but I have no affiliation with Smyth or any reseller, no chips in the poker game.