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Old 15th December 2013 | Show parent
  #63
Quote:
Originally Posted by psycho_monkey View Post
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I appreciate what you've written above about DSD, but I kind of think the same thing there. The mixes I like never went near DSD - I don't know anyone who uses it professionally, certainly not the guys I listen to. Not that it would suit my workflow anyway..but as I've said, a great AD sounds to me like the desk mix/monitor mix. If I wanted the sound of 1/2" I'll use 1/2"! I still don't really understand how you get from DSD onto a CD without going to PCM anyway...? Or is this the argument that even after the conversion, it still makes a difference?

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I keep reading people -- including some well-recognized pros -- who insist that they are 'editing' in the DSD domain. It seems there is less than full understanding of that technology even among some of its most vociferous proponents.