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Old 24th September 2013
  #51
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Quote:
Originally Posted by SoSueMe View Post
Oh, I misunderstood. I usually do RMS matching over short intervals of the actual program material (musical content). Pink noise is pretty much static, so it's not going to be representative of dynamic content. Preamps and other equipment react differently to changes in level, and pink/white noise is not going 'challenge' the preamps in this way.

As far as sweet spots, IMO, I would adjust the preamp as you would in real life to take the best advantage of it, then RMS match in post. This will take advantage of each preamps' best attributes since post production techniques like this have much less interaction on the signal by comparison.
Interesting points, thank you!
And they even make my testing easier... Hoorray!