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Old 20th March 2013
fexurbis's Avatar

Thanks for saying so.

As far as workflow- that follows what i'm working on, rather than the other way around. I've matriculated to Pro Tools, partly because the expediency factor helps everyone else's workflow (and the quality has improved since Native). Everything else is determined by the project. I have a decent amount of gear and I'll have large pieces carted (and take some of the smaller ones myself) wherever I'm working.

Setups vary. I've done stuff with line mixers and without a console and can go either way. I feel these days, it's important to be flexible rather than to force people into a box based on my comfort level. My only insistence is that the quality is there and this puts a lot of pressure on the musicians to perform and on us to make everything sound as good as possible. I feel it's important to try to make the highest quality recordings one can make even in the absence of any budget.

As far as the psychology, could you explain what you mean, as I don't quite understand?