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Old 21st July 2012
  #10
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Quote:
Originally Posted by Plush View Post
Less experienced singers labor to produce their product and there can be an exaggerated dynamic range to their offerings. If they look like they're working hard to make the product, then I have found that they are sometimes very difficult to record.
That's what I have also observed. I don't have any solutions for remote capture (other than the obvious: using the best gear at the most conservative gain usable) but in a studio multitrack situation I have relied on a 2 mic approach. One mic (usually a ribbon) is recorded at a lower gain and used only for the peaks that stress the primary mic. Maybe a little difficult to balance but can be a life saver.