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Old 15th November 2009
  #22
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Quote:
Originally Posted by mullet View Post
Does anyone ever automate the wet signal to go from say 10%-100% as the fx plays out, to put more reverb on the tail of the fx?
yes, I think that's pretty common.

And to second what most other people are saying, EQing reverbs is pretty essential. Some reverb plug ins have eq capacity built in, or else you can just slap an eq plug after the reverb.

Also, just to make sure, you are running your reverbs on an aux track (or "bus" track) and sending from your original track, right? That should be SOP.

If you are running the reverb on the same track as the original signal, aim for between 10 and 20 percent wet (obviously this greatly depends on many factors.... but....) Also, play around a lot with the different reverb settings to find what works for that particular track.

One trick I've found is to do it like this. Put the reverb on an aux track and put your aux send at unity gain. Put the reverb return track also at unity gain and make sure your reverb is at 100% wet. This should result in way more reverb than you will usually end up using in the mix. But leave it up at that level and then play around with the reverb settings (decay time / room size / ER level / diffusion /EQ, etc) until you get the reverb to sound like its good, just a little too much. I've found that if you can get the reverb to sound reasonable when it's up that loud, then generally when you turn it down it will sound really good. But I find it necessary to have it up higher at first to get the settings right.

3 more tips:
1. This may be obvious to anyone with a basic understanding of reverb, but most of the time "Decay time" is going to be the most important setting. I find it's often difficult when you want "less" reverb to determine if you want a shorter decay or a lower overall level. For the type of effect the OP is describing, I'm leaning toward a long decay reverb, turned down lower in the mix and with the type of HF and LF cuts that have been described.
2. Pay particular attention to your "Early Reflection" level. This is sort of an oversimplified explanation, but a higher Early Reflection setting will generallly make your reverb sound more "boxy" or "roomy" -- more like its in a real room. Again, for the type of reverb you are describing and for what I find it's generally necessary for a lot of electronic music ambiance reverbs, I lean towards less ER, often times 0 ER.
3. Sometimes slapping a compressor BEFORE your reverb on the aux send can help. Sometimes you'll find that certain transients will trigger a sort of "pop" in the reverb and so you'll hear a singular reverb trail from that one transient that stands out in the mix. Putting a compressor on the aux send signal can help smooth that out.