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Old 5th May 2003
  #14
jho
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Quote:
Originally posted by thethrillfactor
Well the concept comes from breaking the drums/bass to its acoustic envelope, attack,decay,sustain and release.

Usually 3-5 channels with different processor combinations for each sound(kick,snare and bass).

Afterwards i just balance/blend them(automation) and and put it back together(also I might send them to drumsub and EQ and crush that).

If the original tracks are in excellent condition I might blend it all, if not I just use my new "franken track".

It takes lots of practice to find out the best processor combo for each aspect of the envelope(it can also be time consuming), but that's one of way to get really great rhythm tracks.
TF, thanks as usual for taking the time to respond

Are you doing in PT? and if so are you printing these 3-5 tracks, so that each's time delay going in/out PT can be delt with? that's a lot of things to line up to prevent phase