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Old 28th September 2005
  #3
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How do you define the space for the music in a song?

When I listen to my Billie Holiday records I often am reminded that close micing techniques are a modern one. The vocal maybe close mic'ed but not so with most of the accompaniment. The space being dictated at tracking in large part. Thinking back I notice a trend of including ambient micing in my tracks. Do you see any of this approach in the tracks you receive? If so how many are useful?