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Old 30th June 2009
  #23
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Quote:
Originally Posted by bayareamatt View Post
How much of an engineer do you think a producer should be in a typical higher-budget session (one with a separate producer and engineer)?

Do think the producer should have his or her finger on signal flow every second of the session, or is that moreso for the engineer be concerned with the majority of the time? In a larger session that would seem like a LOT of switching from right to left brain. (beginning engineer/producer question, as you can probably tell).
It really depends on how technical the producers background is, and how much they want to tune into the engineering aspect. I know some producers who pay a lot of attention to what's going on, and others who don't care (or have a clue)...they just want it to sound good.