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Old 16th June 2009 | Show parent
Here for the gear
Originally Posted by ButchVig View Post
It was one of the most difficult albums I ever made, and one that I am very proud of.
After the success of Nevermind and Gish, there was immense pressure on us to deliver something special. I pushed Billy hard...and he pushed me.
There WERE days when it was fun, but also days where we felt like we had gone into the abyss. At the end of the album, we were both physically and emotionally exhausted.
Alan Moulder had to leave on the last day of mixing (after we had kidnapped him for 6 straight weeks without a day off!) and Billy and I finished the last song Luna about 4 AM. There was no champagne, no high fives, no cheering...we just looked at each other and said "holy ****, are we finished?" and dragged ourelves back to the hotel.
I woke up at noon the next day a the Beverly Garland Hotel on Vineland with all the curtains closed, and listened to the album all the way through in pitch black. I couldn't see anything, I could only listen...and I knew we had something special.
Was each one of those tracks actually played? Or were they different channels of the same take? (with different mics?)