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Old 6th August 2005
Lives for gear

Originally Posted by MASSIVE Master
1) In a perfect world, the MIX should blow ME away. The M.E.'s job should then be to maximize the project's potential, changing it as little as possible. A lot of mastering gear isn't chosen for how it sounds - It's chosen for how it doesn't sound.
What would your oppinion be if one really seeks a sound on the 2bus? Is it a good decision to take care of it in the mix then?