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Old 27th June 2005
  #12
Lives for gear
 
Jim vanBergen's Avatar
 

IMHO, the only way to insure you are getting the signal right is to use the monitor out of your main recording medium into your 2-mix console. This way you are monitoring the track from your main source, you are not skyrocketing the impedance of the line as you do with a two-way or three-way passive (hardwire) split, and it does not require an active or transformer-balanced split simply BETWEEN the truck and everyone else (as often I am taking a X-former split between monitors and FOH consoles). I think Steve said this a hundred times, and I will quote him (I hope accurately): "Get the best transformers you can afford, you may have to use them some time!" Great pearls of wisdom. Cheers-

Jim van Bergen