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Old 8th November 2019
  #4
Lives for gear
 

Quote:
Originally Posted by Jay Rose View Post
Is your booth big enough, or dead enough, that side-reflections won't color the sound? ADR shouldn't have any reverb or coloration of its own... you'll never match production dx, and it just makes it harder to mix. The room should have just enough reflection (on a deader angle of the mic) that the talent doesn't feel the need to project more than they did at the shoot.

Consider a hyper, even if you're trying to match something that for some reason was boomed with a gun.
You have issues with actors actually “over projecting”?
I feel it is mostly the reverse getting them to project enough. Interesting.

As for mic choice and distance the room is the boss when it comes to adr. Unless you have a large well designed great sounding adr stage (I have yet to see one in person that ticks all my boxes) then this will be true IMO.