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Old 8th November 2019
Lives for gear
Is your booth big enough, or dead enough, that side-reflections won't color the sound? ADR shouldn't have any reverb or coloration of its own... you'll never match production dx, and it just makes it harder to mix. The room should have just enough reflection (on a deader angle of the mic) that the talent doesn't feel the need to project more than they did at the shoot.

Consider a hyper, even if you're trying to match something that for some reason was boomed with a gun.