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Old 6th November 2019
Lives for gear

Usually the biggest issue someone who has not been working in 5.1 etc has in taking their stereo mix to 5.1 isn't modification of the mix, it's the monitoring environment in which to do it. You can tough out using buses and auxes to make a non-HD project have 6 outputs, but do you have a setup, including the speakers and monitor controller to listen to it with? Part of all this is that in 5.1 calibrating the listening setup becomes much more important, right? The inter-speaker level relationships (at least) are kind of the main work you are doing in upmixing. BTW: upmix plugins can work very well, if you want to go that way. But you still need the 5.1 rig to hear what they are doing.