View Single Post
Old 6th September 2019
  #37
Yeah, I think of how many great classical recordings still highly regarded as pinnacles of fidelity were made on 14, 16, and 18 bit systems.

I like the idea of a 32 bit converter because I like to use that format when I need an intermediary between programs, and having the file recorded that way seems convenient. But it’s hardly a necessity. Interested to see if more manufacturers pursue 32 bit converters as a new standard (RME, Merging, DAD, etc).

Quote:
Originally Posted by linkevich View Post
For thoose, who make classical music recordings – exactly yes!