View Single Post
Old 3 weeks ago
Here for the gear

The CM4 in NOS with the CM3 spaced were the main microphones (CM3 230cm to the left and 230cm to the right).

The choirmusic was with orchestra, no Line Audio's as choir-spots (due to the acoustics of the church), but super-cardioïds. The choral music: Bach with really small orchestra, Rheinberger a bit more players, Mendelssohn with full orchestra before the break. Then the Brahms-Schönberg after the break.

With this in mind it can still be interesting to hear the results of the cm4 and cm3, no spots mixed, like in the sample of Brahms-Schönberg.