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Old 28th July 2019
  #13
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Brent Hahn's Avatar
 

Quote:
Originally Posted by hughshouse View Post
3) F O H EQ filtering is commonly deployed to alleviate obvious room node problems, however pragmatical reasoning requires a separate mix direct from the pres for any broadcasting or multi-track recording.
Trouble is, in the case of the venue I'm describing, two of main exciters of the nodal behavior (amplified upright bass and drums) aren't even in the PA. For those guys, I need to invent a set of faders that go about 40 dB lower than infinity.