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  #1776
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Updated list of results (MOTU 8A, Yamaha MONTAGE 6, Antelope Audio Zen Tour, MOTU MicroBook, Audient iD22, Swissonic DA24 Mk2, Sonifex RB-ADDA)

DA-AD loops from this wav file evaluated by means of Audio DiffMaker.

'Difference' indicates RMS level figures measured in Wavelab from the difference file delivered by Audio DiffMaker.
'Difference*' indicates RMS level figures got from a difference file generated in Matlab after refining the time offset and gain figures provided by Audio DiffMaker in order to get the lowest difference level. Hence the 'Difference*' figures are lower than the 'Difference' figures.

Read also this about the test method.
See at the end of this post how to contribute to the test.

AD-DA converters performing from their internal clock

Lynx Hilo
CoolColJ - 6 last second part disregarded: -0,1 dB (L), -0,1 dB (R) Corr Depth: 41,8 dB (L), 43,7 dB (R), Difference*: -59.1 dBFS (L), -59.2 dBFS (R)
sm5, line in and line out trims set at +0: -0.1 dB (L), -0.1 dB (R)..Corr Depth: 41,8 dB (L), 43,6 dB (R) Difference*: -58.9 dBFS (L), -59.0 dBFS (R)
sm5, level line in and line out trims set at +24: 0.0 dB (L), 0.0 dB (R)..Corr Depth: 41,8 dB (L), 43,6 RMS Difference*: -59.1 dBFS (L), -59.1 dBFS (R)
Agustin Mongelli, Line out: -0,1 dB (L), -0,1 dB (R)..Corr Depth: 41,9 dB (L), 43,7 dB (R) Difference*: -59.1 dBFS (L), -59.2 dBFS (R)
Agustin Mongelli, Phone out: 0.0 dB (L), 0.1 dB (R)..Corr Depth: 41,9 dB (L), 43,7 dB (R) Difference*: -59.1 dBFS (L), -59.2 dBFS (R)
Agustin Mongelli, Line Out Trim 0dBV, Line In Trim 2dBV: 1,9 B (L), 1,9 dB (R)..Corr Depth: 41,9 dB (L), 43,7 dB (R) Difference*: -59.1 dBFS (L), -59.2 dBFS (R)
capn357: 0.0 dB (L), 0.1 dB (R)..Corr Depth: 41,8 dB (L), 43,6 dB (R) Difference*: -59.1 dBFS (L), -59.1 dBFS (R)
schizoide on Pragmatic Audio: 0.0 dB (L), 0.0 dB (R)..Corr Depth: 41,9 dB (L), 43,7 dB (R) Difference*: -59.1 dBFS (L), -59.2 dBFS (R)

Merging Technologies Hapi
ADA8 ---> ADA8 (ljudatervinning): 0.391dB (L), 0.376dB (R) Corr Depth: 38,5 dB (L), 40,1 dB (R) Difference*: -58,9 dBFS (L), -60,3 dBFS (R)
DA8P --> AD8DP (Touf on Pragmatic Audio): 0.08 dB (L), 0.07 dB (R) Corr Depth: 35,9 dB (L), 37,2 dB (R) Difference*: -53.0 dBFS (L), -52.8 dBFS (R)
ADA8 ---> AD8D (ljudatervinning): 0,2 dB (L), 0,2 dB (R)..Corr Depth: 36,2 dB (L), 37,6 dB (R) Difference*: -53.1 dBFS (L), -53.0 dBFS (R)

Lynx Aurora(n) (Mikathechou)
1.1 dB (L), 1.1 dB (R)..Corr Depth: 41,4 dB (L), 43,2 dB (R) Difference*: -58.9 dBFS (L), -59.0 dBFS (R)

Antelope Pure2
Touf on Pragmatic Audio: -0.0 dB (L), -0,2 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)
MattGray: 0,0 dB (L), -0,0 dB (R)..Corr Depth: 36,3 dB (L), 37.9 dB (R) Difference*: -56.8 dB (L), -58.2 dB (R)

Apogee Symphony I/0 Mk II (Diegel)
-0.4 dB (L), -0.4 (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)

Metric Halo LIO-8
BrianVengeance: 3.0 dB (L), 3.0 dB (R)..Corr Depth: 36,4 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.1 dBFS (R)
Antoine Fabi: 3,4 dB (L), 3,4 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.1 dBFS (R)
Antoine Fabi, out +3 dB: 0.4 dB (L), 0.5 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)

Metric Halo ULN-8 3d (Actualsizeaudio)
3.6 dB (L), 3.5 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.1 dBFS (R)

MOTU 2408mk3 (ram75)
0,1 dB (L), 0,1 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56,7 dBFS (L), -58,1 dBFS (R)

MOTU 828 MkII
laurend: 6.1 dB (L), 6.2 dB (R) Corr Depth: 36,4 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L) -58.0 dBFS (R)
MusicManic: -0.1 dB (L), -0,0 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L) -58.0 dBFS (R)
syns: 6.1 dB (L), 6.1 dB (R) Corr Depth: 36,4 dB (L), 37,9 dB (R) Difference* -56.7 dBFS (L) , -58.0 dBFS (R)
capn357 0.1 dB (L), 0.1 dB (R)..Corr Depth: 36,4 dB (L), 38,0 dB (R) Difference*: -56.7 dBFS (L), -58.1 dBFS (R)
jeamsler: 6.0 dB (L), 6.0 dB (R)..Corr Depth: 36,4 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.0 dBFS (R)
Xav: 0.1 dB (L), 0.1 dB (R), Difference*: -56.7 dBFS (L), -58.1 dBFS (R)

MOTU 24I/O
Zam on Pragmatic Audio: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.0 dBFS (R)
ram75: 0.1 dB (L), 0.1 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.1 dBFS (R)

Mytek 8 x 192 AD/DA (MainTime)
0,4 dB (L), 0,5 dB (R) Corr Depth: 35,3 dB (L), 36,9 dB (R) Difference*: -55.8 dBFS (L) -57.1 dBFS (R)

Antelope Audio Zen Tour
esldude: 0.5 dB (L), 0.6 dB (R)..Corr Depth: 34,5 dB (L), 36,1 dB (R) Difference*: -55.0 dBFS (L), -56.3 dBFS (R)
Zek: 0.9 dB (L), 1.0 dB (R)..Corr Depth: 34,9 dB (L), 36,5 dB (R) Difference*: -49.8 dBFS (L), -50.8 dBFS (R)

Lynx Aurora 8 (cylens)
-0,1 dB (L), -0,1 dB (R) Corr Depth: 34,6 dB (L), 36,3 dB (R) Difference*: -54.5 dBFS (L) -55.6 dBFS (R)

Lynx Aurora 16
Touf on Pragmatic Audio: -0,1dB (L), -0,1dB (R)..Corr Depth: 34,6 dB (L), 36,3 dB (R) Difference: -54,2 dBFS (L) , -55,1 dBFS (R)
antichef: -0,1 dB (L), -0,1 dB (R)..Corr Depth: 34,6 dB (L), 36,2 dB (R) Difference*: -54.5 dBFS (L), -55.5 dBFS (R)
Aurora 16-VT, out-in through patch bay, Mikathechou: 1.1 dB (L), 1.1 dB (R)..Corr Depth: 32,8 dB (L), 34,4 dB (R) Difference*: -52.9 dBFS (L), -54.1 dBFS (R)

Edirol UA-1000 (gollumsluvslave)
0.2 dB (L), 0.2 dB (R) Corr Depth: 34,0 dB (L), 35,6 dB (R) Difference*: -54.4 dBFS (L), -55.7 dBFS (R)

RME ADI-2 Pro, balanced out to balanced in (LesC)
Sharp DA - Sharp AD: 0.4 dB (L), 0.4 dB (R)..Corr Depth: 33,6 dB (L), 35,2 dB (R) Difference*: -53.9 dBFS (L), -55.2 dBFS (R)
Slow DA - Slow AD: 0.4 dB (L), 0.3 dB (R)..Corr Depth: 33,6 dB (L), 35,2 dB (R) Difference: -52.8 dBFS (L), -54.3 dBFS (R)
SD Sharp DA - SD Sharp AD: 0.4 dB (L), 0.4 dB (R)..Corr Depth: 33,6 dB (L), 35,3 dB (R) Difference*: -44.5 dBFS (L), -45.5 dBFS (R)
SD Slow DA - SD slow AD: 0.3 dB (L), 0.3 dB (R)..Corr Depth: 33,6 dB (L), 35,2 dB (R) Difference*: -47.9 dBFS (L), -48.9 dBFS (R)
FS version (Archimago, unspecified setting): 0,2 dB (L), 0,2 dB (R)..Corr Depth: 33,6 dB (L), 35,1 dB (R) Difference*: -44.3 dBFS (L), -45.4 dBFS (R)

Alesis io|29 (mistergo): 0.7 dB (L), 0.7 dB (R)..Corr Depth: 33,9 dB (L), 35,6 dB (R) Difference*: -53.9 dBFS (L), -55.0 dBFS (R)

TC Electronic Studio Konnekt 48
DownSideUp: 13.1 dB (L), 13.2 dB (R)..Corr Depth: 33,2 dB (L), 34,8 dB (R) Difference*: -53.6 dBFS (L) -54.9 dBFS (R)
kas_lar 0.1 dB (L), 0.1 dB (R)..Corr Depth: 33,1 dB (L), 34,7 dB (R) Difference*: -53.4 dBFS (L), -54.7 dBFS (R)

Lynx L22
bezen4uk: 2.9 dB (L), 2.9 dB (R)..Corr Depth: 33,0 dB (L), 34,7 dB (R) Difference*: -53.5 dBFS (L), -54.7 dBFS (R)
jeamsler: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 32,8 dB (L), 34,4 dB (R) Difference*: -53.2 dBFS (L), -54.6 dBFS (R)

ESI [email protected] (Agustin Mongelli)
5.6dB (L), 5.7dB (R) Corr Depth: 33,0 dB (L), 34,6 dB (R) Difference*: -53.4 dBFS (L), -54.7 dBFS (R)

ESI [email protected] XTe
DUJS: -0.3 dB (L), -0.3 dB (R) Corr Depth: 32,7 dB (L), 34,3 dB (R) Difference*: -53.1 dBFS (L), -54.5 dBFS (R)
edneysis: -0.4 dB (L), -0.5 dB (R)..Corr Depth: 32,9 dB (L), 34,5 dB (R) Difference*: -53.3 dBFS (L), -54.7 dBFS (R)

Lynx LynxTWO-B
bezen4uk: 2,8 dB (L), 2,8 dB (R) Corr Depth: 32,7 dB (L), 34,3 dB (R) Difference*: -53.2 dBFS (L) , -54.5 dBFS (R)
mattiasnyc: -0,03 dB (L), -0,04 dB (R) Corr Depth: 32,9 dB (L), 34,5 dB (R) Difference: -52.8 dBFS (L) , -53.4 dBFS (R)

Lynx E44 (LTrain)
-0.0 dB (L), -0.0 dB (R) Corr Depth: 32,3 dB (L), 34,1 dB (R) Difference*: -52.5 dBFS (L), -53.9 dBFS (R)

RME HDSP 9632 (schtim)
0.5 dB (L), 0.5 dB (R) Corr Depth: 31.4 dB (L), 33.0 dB (R) Difference*: -51.9 dBFS (L) -53.2 dBFS (R)

RME ADI-8 QS (lou latch)
0.0 dB (L), 0.0 dB (R) Corr Depth: 31,4 dB (L), 32,9 dB (R) Difference*: -51.7 dBFS (L), -52.7 dBFS (R)
5.0 dB (L), 5.0 dB (R) Corr Depth: 31,4 dB (L), 33,0 dB (R) Difference*: -51.7 dBFS (L), -52.9 dBFS (R)

Audient iD22 through insert returns
andyfromHH: 0.0 dB (L), 0.1 dB (R) Corr Depth: 32,4 dB (L), 34,3 dB (R) Difference*: -45.4 dBFS (L), -46.6 dBFS (R)
Hardtailed out 3-4: -0,089dB (L), -0,091dB (R)..Corr Depth: 31,1 dB (L), 32,7 dB (R) Difference*: -51.6 dBFS (L), -52.4 dBFS (R)
kas_lar, out 1-2: -0,1 dB (L), -0,1B (R)..Corr Depth: 31,3 dB (L), 32,7 dB (R) Difference*: -51.6 dBFS (L), -52.8 dBFS (R). Out 3-4: 0.0 dB (L), 0.0 dB (R)..Corr Depth: 31,1 dB (L), 32,9 dB (R) Difference*: -51.4 dBFS (L), -53.0 dBFS (R)
IburiedPaul, out 1&2: -0.1 dB (L), 0.1 dB (R) (R)..Corr Depth: 31,3 dB (L), 32,9 dB (R) Difference*: -51.8 dBFS (L), -53.1 dBFS (R)
sm5, out 1-2: 1.2 dB (L), 0.1 dB (R)..Corr Depth: 24,4 dB (L), 30,5 dB (R) Difference*: -51.7 dBFS (L), -53.0 dBFS (R). Out 3-4: 0.2 dB (L), 0.2 dB (R)..Corr Depth: 31,2 dB (L), 32,7 dB (R) Difference*: -51.6 dBFS (R), -52.9 dBFS (L)
feutche: 0.9 dB (L), 0.9 dB (R)..Corr Depth: 31,3 dB (L), 32,8 dB (R) Difference*: -51.7 dBFS (L), -53.0 dBFS (R)

Prism Lyra 1 (capn357)
0,0 dB (L), -0,0 dB (R)..Corr Depth: 31,3 dB (L), 33,1 dB (R) Difference*: -51.6 dBFS (L), -53.0 dBFS (R)

Prism Lyra 2 (Shptq)
0,0 dB (L), -0,0 dB (R)..Corr Depth: 31,0 dB (L), 32,6 dB (R) Difference*: -51.3 dBFS (L), -52.6 dBFS (R)

Prism Orpheus (MainTime)
0,1 dB (L), 0,1 dB (R) Corr Depth: 30,8 dB (L), 32,4 dB (R) Difference*: -51.1 dBFS (L) -52.4 dBFS (R)

Digidesign Digi 002 Rack with Black Lion Audio Signature mod. Line Out 7+8 to Line In 7+8 (jlam): 0.3 dB (L), 0.4 dB (R)..Corr Depth: 30,3 dB (L), 32,1 dB (R) Difference*: -50.7 dBFS (L), -52.1 dBFS (R)

Universal Audio Apollo 16 mkII (antichef)
0.1 dB (L), 0.1 dB (R)..Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference*: -50.7 dBFS (L) , -52.1 dBFS (R)

RME Fireface 400
didier.brest: 0.3 dB (L), 0.3 dB (R) Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference*: -50.7 dBFS (L), 52.0 dBFS (R)
MusicManic: 0.2 dB (L), 0.3 dB (R) Corr Depth: 24,0 dB (L), 25,8 dB (R) Difference*: -44.4 dBFS (L), -46.0 dBFS (R)

MOTU Track16 (EvgenyStudio)
7.0 dB (L), 6.9 dB Corr Depth: 30,0 dB (L), 31,5 dB (R) Difference*: -50,4 dBFS (L), -51,6 dBFS (R)

Forssell MADA-2
vjm through funkakuchi on Pragmatic Audio) 3,6 dB (L), 4,1 dB (R) Corr Depth: 27,8 dB (L), 30,9 dB (R) Difference* -50.3 dBFS (L) , -51.7 dBFS (R)
MattGray (rev. a unit): 0.0 dB (L), 0.0 dB (R)..Corr Depth: 29,6 dB (L), 31,2 dB (R) Difference*: -50.1 dBFS (L), -51.5 dBFS (R)
Mikathechou (DA converters upgraded to 2-a version ones) 1.0 dB (L), 1.0 dB (R)..Corr Depth: 29,7 dB (L), 31,3 dB (R) Difference*: -50.1 dBFS (L), -51.5 dBFS (R)

Apogee Symphony I/O
(Ajantis) 0,0 dB (L), 0,0 dB (R) Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference*: -51,2 dBFS (L), -50,1 dBFS dB (R)
Diegel -0.2 dB (L), -0.1 dB (R)..Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference*: -51.1 dBFS (L), -50.1 dBFS (R)

MOTU 16A (davidbayles)
728.5 ┬Ás, 1.518 dB (L) 1.513 dB (R) Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference*: -51.1 dBFS (L), -50.1 dBFS (R)

MOTU 8A
marluck:
3.3 dB (L), 3.3 dB (R)..Corr Depth: 43,4 dB (L), 45,6 dB (R) Difference*: -51.1 dBFS (L), -50.1 dBFS (R)
Zek: 1.2 dB (L), 1.1 dB (R)..Corr Depth: 43,4 dB (L), 45,7 dB (R) Difference*: -51.1 dBFS (L), -50.0 dBFS (R)

Apogee Rosetta 800 (davidbayle)
0.2 dB (L), 0.2 dB (R) Corr Depth: 39,7 dB (L), 41,7 dB (R) Difference*: -50.0 dBFS (L), -50.9 dBFS (R)

Apogee Rosetta 200 (Winston Tones)

-0.1 dB (L), -0.0 dB (R) Corr Depth: 37,9 dB (L), 39,8 dB (R) Difference*: -50.7 dB (L), -50.0 dB (R)

Prism ADA-8XR (shelterr)
-0,03 dB (L), -0,03 dB (R) Corr Depth: 37,5 dB (L), 39,5 dB (R) Difference*: -50,7 dBFS(L) -50,0 dBFS(R)

Crane Song HEDD-92 (Spartacus)
0.5 dB (L), 0.5 dB (R) Corr Depth: 36,6 dB (L), 38,4 dB (R) Difference*: -50.7 dBFS (L) , -50.0 dBFS (R)

Antelope Orion Studio Rev2017 (jeamsler)
Line Out to Line In: 1.3 dB (L), 1.3 dB (R)..Corr Depth: 27,7 dB (L), 29,3 dB (R) Difference*: -43.6 dBFS (L), -44.8 dBFS (R)
Monitor Out to Line In: 1.3 dB (L), 1.3 dB (R)..Corr Depth: 34,8 dB (L), 36,4 dB (R) Difference*: -49.9 dBFS (L), -50.9 dBFS (R)
Reamp Out to Line In: 6.5 dB (L), 6.5 dB (R)..Corr Depth: 9,9 dB (L), 9,8 dB (R) Difference*: -29.7 dBFS (L), -29.3 dBFS (R)

TC Electronics Impact Twin
AndG
: 0.5 dB (L), 0.8 dB (R) Corr Depth: 32,0 dB (L), 33,6 dB (R) Difference*: -52.5 dBFS (L) -53.8 dBFS (R)
jeamsler: 1.5 dB (L), 1.7 dB (R)..Corr Depth: 29,0 dB (L), 30,6 dB (R) Difference*: -49,5 dBFS (L), -50,8 dBFS (R)
Coucou: -0.1 dB (L), -0.0 dB (R) Corr Depth: 29,1 dB (L), 30,4 dB (R) Difference*: -49.5 dBFS (L), -50.5 dBFS (R)
ben: 0.5 dB (L), 0.8 dB (R) Corr Depth: 29,1 dB (L), 30,8 dB (R) Difference*: -49.6 dBFS (L), -50.9 dBFS (R)

MOTU 896HD (fredrikberg)
1.1 dB (L), 1.1 dB (R)..Corr Depth: 29,0 dB (L), 30,5 dB (R) Difference*: -49.4 dBFS (L), -50.7 dBFS (R)

Echo Audiofire 12 (guze)
0.7 dB (L), 0.7 dB (R) Corr Depth: 28,8 dB (L), 30,1 dB (R) Difference*: -49.2 dBFS (L), -50.3 dBFS (R)

PreSonus RML32AI (Xav)
-0.8 dB (L), -0.7 dB (R)..Corr Depth: 28,4 dB (L), 30,0 dB (R) Difference*: -48.8 dBFS (L), -50.1 dBFS (R)

RME Babyface Pro (EvgenyStudio)
XLR out to XLR in: -0.1 dB (L), 0.1 dB (R)..Corr Depth: 24,9 dB (L), 32,9 dB (R) (L), Difference*: -43.9 dBFS (L), -48.7 dBFS (R)
Headphone out to line ins: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 34,9 dB (L), 36,5 dB (R) Difference*: -48.8 dBFS (L), -49.8 dBFS (R)

Konnekt Live (livebox) : 7.0 dB (L), 7.0 dB (R)..Corr Depth: 28,2 dB (L), 29,7 dB (R) Difference*: -48.6 dBFS (L), -50.0 dBFS (R)

MOTU 828 Mk3 hybrid
South Paul: 4.5 dB (L), 4.4 dB (R) Corr Depth: 30,0 dB (L), 31,6 dB (R) Difference*: -48.3 dBFS (L), 48.4 dBFS (R)
jeamsler: 3.5 dB (L), 3.5 dB (R) Corr Depth: 29,5 dB (L), 31,3 dB (R) Difference*: -48.1 dBFS (L), -48.5 dBFS (R)

Antelope Discrete 4 (Coucou)
0.3 dB (L), 0.3 dB (R)..Corr Depth: 31,0 dB (L), 32,6 dB (R) Difference*: -48.2 dBFS (L), -49.3 dBFS (R)

Avid HD I/O 16x16 Analog (Pezzn)
-0,0 dB (L), -0,0 dB (R)..Corr Depth: 28,8 dB (L), 30,6 dB (R) Difference*: -47.7 dBFS (L), -48.1 dBFS (R)

SPL Madison
living sounds - Early production unit: 0.0 dB (L), 0.0 dB (R) Corr Depth: 27,3 dB (L), 28,9 dB (R) Difference*: -47.6 dBFS (L), -49.0 dBFS (R)
funkakuchi on Pragmatic Audio: 0.0 dB (L), 0.1 dB (R)..Corr Depth: 27,2 dB (L), 28,8 dB (R) Difference*: -47.7 dB (L), -49.0 dB (R)

SSL Alpha-Link MX 16-4 (Sankly)
0,1 dB (L), 0,1 dB (R)..Corr Depth: 27,2 dB (L), 28,8 dB (R) Difference*: -47.6 dBFS, -48.9 dBFS

Dell Optiplex 755 (Winston Tones)
Front jack analog out to rear mini-jack line in 1.2 dB (L), 1.3 dB (R)..Corr Depth: 27,0 dB (L), 28,6 dB (R) Difference*: -47.4 dBFS (L) , -48.8 dBFS (R)
Front jacks: 1,7 dB (L), 1,3 dB (R)..Corr Depth: 25,3 dB (L), 26,8 dB (R) Difference: -44.8 dBFS (L) , -45.9 dBFS (R)
Rear mini-jacks: -0,4 dB (L), -0,3 dB (R)..Corr Depth: 11,9 dB (L), 13,9 dB (R) Difference: -31.5 dBFS (L) , -32.8 dBFS (R)

Yamaha MONTAGE 6 (Zek)
2.4 dB (L), 2.1 dB (R)..Corr Depth: 26,8 dB (L), 28,4 dB (R) Difference*: -47.3 dBFS (L), -48.6 dBFS (R)

Antelope Orion32 HD (Actualsizeaudio)
0.1 dB (L), 0.1 dB (R)..Corr Depth: 29,4 dB (L), 31,0 dB (R) Difference*: -46.8 dBFS (L), -47.9 dBFS (R)

DAD AX24 ([email protected])
-0,1 dB (L), -0,1 dB (R) Corr Depth: 27,4 dB (L), 28,9 dB (R) Difference*: -46.8 dBFS (L), -47.3 dBFS (R)

Behringer ADA8200 (didier.brest)
gain @ 10 o'clock : 4.3 dB (L), 4.6 dB (R)..Corr Depth: 27,6 dB (L), 29,2 dB (R) Difference*: -46.6 dBFS (L) , -47.7 dBFS (R)
gain mini : 14,7 dB (L), 14,3 dB (R)..Corr Depth: 27,9 dB (L), 29,5 dB (R) Difference: -46,8 dBFS (L) , -47,9 dBFS (R)

Echo Audiofire 4
syns: 0.4 dB (L), 0.4 dB (R) Corr Depth: 26,3 dB (L), 27,6 dB (R) Difference*: -46.7 dBFS (L), -47.8 dBFS (R)
david1103: 0,5 dB (L), 0,4 dB Corr Depth: 25,6 dB (L), 27,4 dB (R) Difference: -45,2 dBFS (L), -46,3 dBFS (R)

Antelope Audio Eclipse 384 (Giuseppe Zaccaria)
-0.1 dB (L), -0.2 dB (R) Corr Depth: 26,3 dB (L), 27,8 dB (R) Difference*: -46.6 dBFS (L) -47.9 dBFS (R)

Universal audio Apollo 8
Duo (Philip Marinelis): 0.1 dB (L), 0.1 dB (R)..Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference*: -46.3 dBFS (L), -47.4 dBFS (R)
Quad (kmr): 0.1 dB (R) 0.1 dB (L) Corr Depth: 30,2 dB (L), 31,8 dB (R) Difference*: -46.4 dBFS (L), -47.4 dBFS (R)

RME Fireface UFX+ (paulthesparky)
0.2 dB (L), 0.2 dB (R)..Corr Depth: 28,0 dB (L), 29,5 dB (R) Difference*: -46.0 dBFS (L), -47.1 dBFS (R)

Focusrite Red 4Pre (jacko)
8,6 dB (L), 8.6 dB (R)..Corr Depth: 27,9 dB (L), 29,5 dB (R) Difference*: -46.0 dBFS (L), -47.1 dBFS (R)

Apogee Ensemble Thunderbolt (kmr)
0,2 dB (L), 0,3 dB (R)..Corr Depth: 25,2 dB (L), 26,8 dB (R) Difference*: -45.7 dBFS (L), -47.1 dBFS (R)

Echo 2 (bezen4UK)
2,3 dB (L), 2,3 dB (R)..Corr Depth: 26,9 dB (L), 28,6 dB (R) Difference*: -45.7 dBFS (L), -47.0 dBFS (R)

Universal Audio Apollo Quad (davidbayles)
0.3dB (L), 0.3dB (R). Corr Depth: 26,5 dB (L), 28,0 dB (R). Difference*: -45.7 dBFS (L), -46.4 dBFS (R)

Universal Audio Apollo x6 (Coucou)
0.1 dB (L), 0.1 dB (R)..Corr Depth: 26,8 dB (L), 28,4 dB (R) Difference*: -45.6 dBFS (L), -46.9 dBFS (R)

E-MU 1616M
vechung: 9.7 dB (L), 9.6 dB (R)..Corr Depth: 26,3 dB (L), 28,4 dB (R) Difference*: -45.5 dBFS (L), -46.5 dBFS (R)
The Tenant: 0.1 dB (L), 0.0 dB (R)..Corr Depth: 25,5 dB (L), 27,0 dB (R) Difference*: -44.8 dBFS (L), -45.5 dBFS (R)
left channel only (ben): -0.4 dB (L), Corr Depth: 28,9 dB (L) Difference: -47.7 dBFS (L)

E-MU 1212M (tiberius)
0.9 dB (L), 0.8 dB (R)..Corr Depth: 25,7 dB (L), 27,1 dB (R) Difference*: -45.0 dBFS (L), -45.7 dBFS (R)

Focusrite Saffire PRO 40 (MusicManic)
-0.566 dB (L), 0.293 dB (R) Corr Depth: 27,8 dB (L), 32,0 dB (R) Difference*: -45.3 dBFS (L), -44.6dBFS (R)

Mackie Onyx Blackjack (kegn51)
2,9 dB (L), 2,9 dB (R) Corr Depth: 30,5 dB (L), 32,3 dB (R) Difference*: -45.1 dB (L), -44.5 dB (R)

M-Audio FireWire 410 (JonasNorberg)
0.2dB (L) 0.2dB (R)..Corr Depth: 24,5 dB (L), 26,2 dB (R) Difference*: -44.9 dBFS (L), -46.4 dBFS (R)

M-Audio Profire 2626 (cylens)
-0.5 dB (L), -0.5 dB (R)..Corr Depth: 24,4 dB (L), 25,9 dB (R) Difference*: -44.8 dBFS (L), -46.1 dBFS (R)

Universal Audio Apollo Twin MkII (EvgenyStudio)
Main Outs To Line Ins: 5.9 dB (L), 5.9 dB (R)..Corr Depth: 25,7 dB (L), 27,2 dB (R) Difference*: -43.5 dBFS (L), 44.3 dBFS (R)
Headphones out to Line Ins: 2.9 dB (L), 2.9 dB (R)..Corr Depth: 25,7 dB (L), 27,3 dB (R) Difference*: -44.8 dBFS (L), -46.0 dBFS (R)

Ferrofish A32 (mudseason)
05 dB (L), 0.5 dB (R)..Corr Depth: 25,7 dB (L), 27,4 dB (R) Difference*: -44.8 dBFS (L), -45.4 dBFS (R)

Audient iD44, 1-2 out to Insert Returns 1-2
(sm5)
: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 29,1 dB (L), 30,7 dB (R) Difference*: -44.5 dBFS (L), -45.6 dBFS (R)

ESI ESP1010 (Agustin Mongelli)
-0,2 dB (L), -0,2 dB (R) Corr Depth: 24,0 dB (L), 25,7 dB (R) Difference*: -44.4 dBFS (L) , -45.9 dBFS (R)

Echo Audiofire 8 non adat CS4272 (guze)
0,8 dB (L), 0,9 dB (R) Corr Depth: 26,4 dB (L), 28,2 dB (R) Difference*: -44.0 dBFS (L) -43.9 dBFS (R)

MOTU HD192 (delchambre on Audiofanzine)
1.0 dB (L), 1.0 dB (R) Corr Depth: 23,4 dB (L), 25,0 dB (R) Difference*: -43.8 dBFS (L), -45.3 dBFS (R)

ECHO INDIGO io (bezen4uk)
0,6 dB (L), 0,6 dB (R) Corr Depth: 26,1 dB (L), 27,8 dB (R) Difference*: -43,8 dB (L), -43,7 dB (R)

Roland Quad-Capture (IburiedPaul)
ADM: 0.1 dB (L), 0.0 dB (R)..Corr Depth: 23,2 dB (L), 24,5 dB (R) Difference*: -43.5 dBFS (L), -44.8 dBFS (R)

RME HDSPe AIO(Touf on Pragmatic Audio)
0.7 dB (L), 0.7 dB (R) Corr Depth: 23,0 dB (L), 24,5 dB (R) Difference*: -43,4 dBFS (L) , -44,7 dBFS (R)

Focusrite Clarett 4Pre (Coucou)
-0.7 dB (L), -0.8 dB (R)..Corr Depth: 24,2 dB (L), 25,7 dB (R) Difference*: -43.4 dBFS (L), -44.6 dBFS (R)

RME Multiface II (juki, Audiofanzine)
Unbalanced, -10 dBV: 0.5 dB (L), 0.4 dB (R) Corr Depth: 22,7 dB (L), 24,4 dB (R) Difference*: -43.2 dBFS (L) -44.6 dBFS (R)
Balanced, 4 dBu: Corr Depth: 22,3 dB (L), 23,9 dB (R) Difference: -41,9 dBFS (L) -43,0 dBFS (R)

Echo MiaMIDI (jeamsler)
0.2 dB (L), 0.3 dB (R)..Corr Depth: 22,7 dB (L), 24,3 dB (R) Difference*: -43,1 dBFS (L), -44,5 dBFS (R)

TASCAM SX-1 (fredrikberg)
10.1 dB (L), 9.7 dB (R)..Corr Depth: 22,8 dB (L), 24,2 dB (R) Difference*: -43.1 dBFS (L), -44.4 dBFS (R)

2011 MacBook Pro (stinkyfingers)
3.5 dB (L), 3.5 dB (R) Corr Depth: 24,5 dB (L), 26,2 dB (R) Difference*: -43.1 dBFS (L), -43.6 dBFS (R)

RME Fireface 800
genelec79: 0.3 dB (L), 0.3 dB (R) Corr Depth: 22,3 dB (L), 23,9 dB (R) Difference*: -42.6 dBFS (R), -44.1 dBFS (L)
-10 dBV outputs to low gain inputs (syns): 15,5 dB (L), 15,6 dB (R)..Corr Depth: 14,5 dB (L), 15,9 dB (R) Difference: -31.9 dBFS (L), -31.6 dBFS (R)
mudseason: 0.6 dB (L), 0.5 dB (R)..Corr Depth: 22,4 dB (L), 23,8 dB (R), Difference*: -42.8 dBFS (L), -44.0 dBFS (R)

MOTU Traveler MK1 (sinebox)
2.0 dB (L), 2.1 dB (R) Corr Depth: 22,2 dB (L), 23,9 dB (R) Difference*: -42.6 dBFS (L), -44.1 dBFS (R)

Audient iD 14 (sm5)
8.8 dB (L), 9.1 dB (R)..Corr Depth: 22,2 dB (L), 23,7 dB (R) Difference*: -42.6 dBFS (L), -43.9 dBFS (R)

Universal Audio Apolllo x16 (Philip Marinelis)
0.4 dB (L), 0.4 dB (R)..Corr Depth: 26,7 dB (L), 28,3 dB (R) Difference*: -42.4 dBFS (L), -43.5 dBFS (R)

MOTU Traveler MK1 with Black Lion Mod (antichef)
2,0 dB (L), 2,0 dB (R)..Corr Depth: 21,4 dB (L), 23,0 dB (R) Difference*: -41.8 dBFS (L), -43.2 dBFS (R)

MOTU UltraLite (dheming)
0.6 dB (L), 0.5 dB (R)..Corr Depth: 21,1 dB (L), 22,6 dB (R) Difference*: -41.6 dBFS (L), -42.8 dBFS (R)

Antelope Zen Studio (Chris Perra)
Gain 0: 16.9 dB (L), 16.8 dB (R)..Corr Depth: 21,1 dB (L), 22,7 dB (R) Difference*: -41.6 dBFS (L), -42.9 dBFS (R)
Gain 15: 2.2 dB (L), 1.2 dB (R)..Corr Depth: 20,1 dB (L), 22,5 dB (R) Difference*: -41.5 dBFS (L), -42.9 dBFS (R)

Focusrite Liquid Saffire 56 (eugtone)
0.9 dB (L), 1.3 dB (R)..Corr Depth: 21,9 dB (L), 23,1 dB (R) Difference*: -41.4 dBFS (L), -41.8 dBFS (R)

Avid Mbox 3 (Coucou)
5,1 dB (L), 5,1 dB (R) Corr Depth: 21,8 dB (L), 23,6 dB (R) Difference*: -41.3 dBFS (L), -42.0 dBFS (R)

Steinberg UR824 (kegn51)
-0.4 (L), 0.2 dB (R) Corr Depth: 20,5 dB (L), 22,2 dB (R) Difference*: -41.0 dBFS (L), -42.3 dBFS (R)

Sony Vaio [email protected] (kegn51)
2.2 dB (L), 2.3 dB (R) Corr Depth: 20,4 dB (L), 22,0 dB (R) Difference*: -40.9 dBFS (L) , -42.7 dBFS (R)

SL Alpha-Link AX (eugtone)
0.3 dB (L), 0.4 dB (R)..Corr Depth: 20,2 dB (L), 21,8 dB (R) Difference*: -40.6 dBFS (L), -42.0 dBFS (R)

Tascam DA-3000 (dheming)
0,5 dB (L), 0,4 dB (R)..Corr Depth: 22,5 dB (L), 24,0 dB (R) Difference: -40.5 dBFS (L), -40.7 dBFS (R)

Apogee Duet2 (isma)
1.0 dB (L), 1.0 dB (R) Corr Depth: 19,8 dB (L), 21,4 dB (R) Difference*: -40.2 dBFS (L) -41.6 dBFS (R)

Yamaha Steinberg MR816X (didier.brest)
1.1 dB (L), 0.5 dB (R) Corr Depth: 19,1 dB (L), 21,0 dB (R) Difference*: -39.9 dB (L), -41.2 dB (R)

Antelope Audio Orion (davidbayle)
0.3 dB (L), 0.2 dB (R) Corr Depth: 19,2 dB (L), 20,7 dB (R) Difference*: -39.6 dBFS (L), -40.9 dBFS (R)

MOTU 828es, 5-6 TRS out to 5-6 TRS in (sm5)
0.2 dB (L), 0.2 dB (R)..Corr Depth: 39,3 dB (L), 34,7 dB (R) Difference*: -39.6 dBFS (L), -39.6 dBFS (R)

Eventide H8000FW (jeamsler)
6.0 dB (L), 6.0 dB (R)..Corr Depth: 46,6 dB (L), 45,0 dB (R) Difference*: -39.6 dBFS (L), -39.6 dBFS (R)

Roland UA-25 (bezen4uk)
3.9 dB (L), 3.5 dB (R)..Corr Depth: 18,9 dB (L), 20,3 dB (R) Difference*: -39.3 dBFS (L), -40.5 dBFS (R)

Tascam US-144MKII (capn357)
0,2 dB (L), 0,4 dB (R)..Corr Depth: 18,6 dB (L), 20,2 dB (R) Difference*: -39.0 dBFS (L), -40.4 dBFS (R)

RME Fireface UFX (didier.brest)
XLR outputs 1-2 to TRS inputs 3-4: 0.8 dB (L), 0.7 dB (R) Corr Depth: 18,5 dB (L), 20,1 dB (R) Difference*: -39.0 dBFS (L), -40.3 dBFS (R)
TRS outputs 5-6 to TRS inputs 3-4: 0,7 dB (L), 0,7 dB (R) Corr Depth: 18,4 dB (L), 20,1 dB (R) Difference*: -38,8 dBFS (L), -40,3 dBFS (R)
outputs 1-2 to XLR preamp inputs 9-10: 0,5 dB (L), 0,4 dB (R) Corr Depth: 14,7 dB (L), 16,2 dB (R) Difference: -35,0 dBFS (L) -36,3 dBFS (R)

Focusrite Saffire Pro 24 DSP (CoolColJ), first 45s part disregarded
5,2 dB (L), 5,2 dB (R) Corr Depth: 20,2 dB (L), 22,0 dB (R) Difference: -38,9 dBFS (L), -39,9 dBFS (R)

Apogee PSX-100 (Winston Tones)
0.8 dB (L), 0.8 dB (R) Difference*: -38.5 dBFS (L), -39.9dBFS (R)

Focusrite Forte (Coucou)
9,9 dB (L), 9,9 dB (R) Corr Depth: 18,3 dB (L), 19,8 dB (R) Difference: -38,3 dBFS (L), -39,4 dBFS (R)

Focusrite Liquid Saffire 56, Line output to microphone input + pad (Melodeath)
0,2 dB (L), 0,2 dB (R) Corr Depth: 17,9 dB (L), 19,3 dB (R) Difference: -37,9 dBFS (L) -38,9 dBFS (R)

Digidesign 003 Rack
dheming: 0,4 dB (L), 0,5 dB (R) Corr Depth: 18,6 dB (L), 20,0 dB (R) Difference: -38.3 dBFS (L), -39.1 dBFS (R).
Shptq: 0.5 dB (L), 0,5 dB (R) Corr Depth: 18,4 dB (L), 20,2 dB (R) Difference*: -38.5 dBFS (L), -39.8 dBFS (R)

Sonifex RB-ADDA (fredrikberg)
0.2 dB (L), 0.2 dB (R)..Corr Depth: 18,0 dB (L), 19,5 dB (R) Difference*: -38.4 dBFS (L), -39.7 dBFS (R)

Echo AudioFire 2 (dheming)
0.6 dB (L), 0.2 dB (R) Corr Depth: 20,8 dB (L), 21,9 dB (R) Difference*: -37.8 dBFS (L), -37.9 dBFS (R)

Focusrite Scarlett 6i6 2nd Gen (Susceptor)
1&2 in to 3&4 out: 1.1 dB (L), 1.2 dB (R)..Corr Depth: 14,3 dB (L), 15,8 dB (R) Difference*: -34.7 dBFS (L), -36.0 dBFS (R)
3&4 in to 3&4 out: 1.1 dB (L), 1.2 dB (R)..Corr Depth: 17,5 dB (L), 19,1 dB (R) Difference*: -37.7 dBFS (L), -38.9 dBFS (R)

Behringer XR18 (livebox)
9.5 dB (L), 9.7 dB (R)..Corr Depth: 16,7 dB (L), 18,3 dB (R) Difference*: -37.2 dBFS (L), -38.6 dBFS (R)

Zoom F4 (sm5):
main out in XLR 1-2: 0.1 dB (L), 0.1 dB (R)..Corr Depth: 16,2 dB (L), 17,7 dB (R), Difference*: -36.6 dBFS (L), -38.0 dBFS (R)
main out in unbalanced stereo TRS 5-6 input: 5,5 dB (L), 5,6 dB (R)..Corr Depth: 15,7 dB (L), 17,3 dB (R) Difference*: -36.1 dBFS (L), -37.5 dBFS (R)
stereo TRS 3-4 out to 5-6 IN: 0,9 dB (L), 1,0 dB (R)..Corr Depth: 15,7 dB (L), 17,3 dB (R) Difference*: -36.1 dBFS (L), -37.5 dBFS (R)

Aphex IN2 (_ben)
-0.3 dB (L), 0.3 dB (R) Difference*: -36.6 dBFS (L), -38.0 dBFS (R)

Roland UA-22 Duo Capture-Ex (zoreviy)
5,0 dB (L), 5,1 dB (R)..Corr Depth: 18,2 dB (L), 19,7 dB (R) Difference: -36.5 dBFS (L), -36.2 dBFS (R)

Lavry Blue (Touf on Pragmatic Audio)
Modes Crystal and Narrow : 0,2 dB (L), 0,2 dB (R)..Corr Depth: 16,8 dB (L), 18,3 dB (R) Difference -36,5 dBFS (L) , -37,5 dBFS (R)
Mode Wide: Corr Depth: 16,8 dB (L), 18,3 dB (R) Difference: -36,4 dBFS (L) , -37,6 dBFS (R)

Tascam UH-7000 (sm5)
6,8 dB (L), 6,5 dB (R) Corr Depth: 15,5 dB (L), 17,1 dB (R) Difference: -35.2 dBFS (L) -36.2 dBFS (R)

Asus 11.6" laptop (kegn51)
1,3 dB (L), 1,7 dB (R) Corr Depth: 15,5 dB (L), 17,0 dB (R) Difference: -35,2 dBFS (L) , -36,2 dBFS (R)

Steinberg UR22 (jeamsler)
1.5 dB (L), 1.0 dB (R)..Corr Depth: 14,3 dB (L), 15,9 dB (R) Difference*: -34.7 dBFS (L), -36.1 dBFS (R)

Edirol FA-66 (didier.brest)
1.0 dB (L), 0.6 dB (R) Corr Depth: 15,6 dB (L), 17,1 dB (R) Difference*: -34.5 dBFS (L) -35.5 dBFS (R)

MOTU MicroBook (feutche)
3.7 dB (L), 3.7 dB (R)..Corr Depth: 14,6 dB (L), 16,2 dB (R) Difference*: -34.2 dBFS (L), -35.5 dBFS (R)

Sound Devices MixPre-10T (sm5)
x1/x2 1/8" out into 1/8" Aux in: 0.7 dB (L), 0.6 dB (R)..Corr Depth: 14,2 dB (L), 15,5 dB (R) Difference*: -33.5 dBFS (L), -33.5 dBFS (R)
L/R Mini XLR to 1/2 XLR: 0.2 dB (L), 0.5 dB (R)..Corr Depth: 8,7 dB (L), 10,3 dB (R) Difference*: -29.1 dBFS (L), -30.4 dBFS (R)

Focusrite Scarlett 2i2 (EvgenyStudio)
15,5 dB (L), 15,5 dB (R)Corr Depth: 19,3 dB (L), 23,6 dB (R) Difference*: -32,4 dBFS (L), -31,7 dBFS (R)

Line 6 POD Studio UX2 (Piux)
-0,5 dB (L), -0,4 dB (R) Corr Depth: 11,0 dB (L), 12,5 dB (R) Difference: -30.6 dBFS (L) -31.6 dBFS (R)

RME Babyface (didier.brest)
0.4 dB (L), 0.5 dB (R) Corr Depth: 9,2 dB (L), 10,8 dB (R) Difference*: -29.6 dBFS (L) -30.9 dBFS (R)



External clocking


MOTU 828 MkII clocked by Lynx Hilo (capn357)
0.1 dB (L), 0.1 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L), -58.1 dBFS (R)

MOTU 828 MkII clocked by Lucid GENx192 (MusicManic)
-0.1 dB (L), -0,0 dB (R) Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.7 dBFS (L) -58.0 dBFS (R)

Lynx Aurora 8 clocked by RME HDSPe RayDAT (cylens)
Corr Depth: 34,6 dB (L), 36,3 dB (R) Difference: -55.3 dBFS (L) -56.5 dBFS (R)

Audient iD22 clocked by RME Digiface (feutche)
0.9 dB (L), 0.9 dB (R)..Corr Depth: 31,3 dB (L), 32,8 dB (R) Difference*: -51.7 dBFS (L), -53.0 dBFS (R)

RME ADI-8 DS Mk III clocked through ADAT by RME HDSP 9652 (maartenl945)
0,2 dB (L), 0,2 dB (R) Corr Depth: 32,9 dB (L), 34,4 dB (R) Difference*: -49.9 dBFS (L), -49.9 dBFS (R)

Behringer ADA8200 clocked by RME Digiset (Chris Perra)
Gain @ 11 o'clock: 6.0 dB (L), 5.5 dB (R)..Corr Depth: 25,5 dB (L), 29,0 dB (R) Difference*: -46.6 dBFS (L), -47.7 dBFS (R)
Gain minimum: 14.7 dB (L), 15.3 dB (R)..Corr Depth: 27,4 dB (L), 29,3 dB (R) Difference*: -46.7 dBFS (L), -40.2 dBFS (R)

Ferrofish A16 MK-II clocked by RME HDSPe RayDAT (ST.)
0,3 dB (L), 0,3 dB (R) Corr Depth: 26,6 dB (L), 28,2 dB (R) Difference: -46.3 dBFS (L) -47.3 dBFS (R)

Apogee Rosetta 800 clocked by Universal Audio Apollo (davidbayle)
Corr Depth: 39,7 dB (L), 41,7 dB (R) Difference: -45,9 dBFS (L), -45,8 dBFS (R)

Apogee Rosetta 800 clocked by Antelope Orion (davidbayle)
Corr Depth: 39,6 dB (L), 41,6 dB (R) Difference: -45,9 dBFS (L), -45,8 dBFS (R)

Echo Audiofire 8 with ADAT clocked by RME HDSP 9632 (schtim)
Corr Depth: 25.9 dB (L), 27.5 dB (R) Difference: -45.5 dBFS (L) -46.5 dBFS (R)

M-Audio Profire2626 clocked by RME HDSPe RayDAT (cylens)
Corr Depth: 24,4 dB (L), 25,9 dB (R) Difference: -44.1 dBFS (L) -45.0 dBFS (R)

M-Audio Profire2626 clocked by Lynx Aurora8 (cylens)
Corr Depth: 24,4 dB (L), 25,9 dB (R) Difference: -44.0 dBFS (L) -44.9 dBFS (R)

Behringer ADA8000 clocked by RME Fireface UFX (Krisprolls on Pragmatic Audio)
minimum gain : 13,4 dB (L), 13,4 dB (R)..Corr Depth: 24,4 dB (L), 25,9 dB (R) Diff. -44,0 dBFS (L) , -45,3 dBFS (R)
gain @ 4 : 1,2 dB (L), 1,4 dB (R)..Corr Depth: 23,9 dB (L), 25,5 dB (R) Diff. -42,3 dBFS (L) , -44,5 dBFS (R)

RME Octamic XTC clocked by RME Fireface UFX(Loicm on Pragmatic Audio)
Unbalanced phone output to unbalanced instrument inputs 5-6, 13 dB gain: 1,0 dB (L), 1,0 dB (R)..Corr Depth: 22,8 dB (L), 24,4 dB (R) Difference*: -43.3 dBFS (L), -44.6 dBFS (R)
balanced line inputs 1-2, 10 dB gain: 4,5 dB (L), 4,5 dB (R)..Corr Depth: 19,4 dB (L), 21,0 dB (R) Difference*: -39.8 dBFS (L), -41.2 dBFS (R)

Universal Audio Apollo clocked by Apogee Rosetta (davidbayle)
Corr Depth: 26,5 dB (L), 28,0 dB (R) Difference: -42,7 dBFS (L), -43,0 dBFS (R)

Universal Audio Apollo clocked by Antelope Orion (davidbayle)
Corr Depth: 26,5 dB (L), 28,0 dB (R) Difference: -42,7 dBFS (L), -43,0 dBFS (R)

RME Fireface 800 clocked by Yamaha 02R (genelec79)
Corr Depth: 22,3 dB (L), 23,9 dB (R) Difference: -41,9 dBFS (L), -43,0 dBFS (R)

Motu Traveler MK1 clocked by Lynx Aurora 16 or Black Lion Micro Clock mk1 (antichef)
2,0 dB (L), 2,0 dB (R)..Corr Depth: 21,4 dB (L), 23,0 dB (R) Difference: -41.1 dBFS (L), -42.1 dBFS (R)


Separate converters

Synchronised mode ('master' indicates which converter delivers the master clock when the information is available.)

Forssell MDAC-4 ----> Focusrite Blue 245 master, (funkakuchi on Pragmatic Audio = funka on Gearslutz)
Focusrite sensitivity 0 dBFS = 16 dBu
0,1 dB (L), 0,0 dB (R) Corr Depth: 64.7 dB (L), 65.7 dB (R) Difference: -77.1 dBFS (L) -78.1 dBFS (R)
Focusrite sensitivity 0 dBFS = 20 dBu, serial number = 10
4.0 dB (L), 4.0 dB (R) Corr Depth: 66.9 dB (L), 69.8 dB (R) Difference*: -81.2 dBFS (L) -81.1 dBFS (R)
Focusrite sensitivity 0 dBFS = 20 dBu, serial number = 53
3.9 dB (L) 4.0 dB (R) Corr Depth: 69,4 dB (L), 71,5 dB (R) Difference*: -80.1 dB (L), -80.1 dB (R)

SPL Madison ---> Texas Instrument PCM4222 Evaluation Module master (living sounds). Details of the clocking., DC filter off.
0,2 dB (L), 0,2 dB (R) Corr Depth: 78,7 dB (L), 81,2 dB (R) Difference*: -80.1 dBFS, -80.1 dBFS

SPL Madison ---> Focusrite Blue 245 master (funkakuchi on Pragmatic Audio)
4.0 dB (L), 4.1 dB (R)..Corr Depth: 68,5 dB (L), 68,7 dB (R) Difference*: -79.0 dBFS (L), -79.5 dBFS (R)

MSB Platinum IV Plus DAC ---> MSB Studio ADC master (DUJS)
4,9 dB (L), 4,9 dB (R) Corr Depth: 62,8 dB (L), 63,4 dB (R) Difference: -77,7 dBFS (L), -77,4 dBFS (R)

ReQuest Audio, The Beast DAC master ---> MSB Platinum Studio ADC (DUJS)
Corr Depth: 62,0 dB (L), 63,4 dB (R) Difference: -76,9 dBFS (L), -76,3 dBFS (R)

Swissonic DA24 MkII ---> Texas Instrument PCM4222 Evaluation Module master (living sounds), DC filter off.
0,1 dB (L), 0,1 dB (R) Corr Depth: 82,6 dB (L), 85,5 dB (R) Difference*: -73.0 dBFS (L), -73.8 dBFS (R)

ESI [email protected] XTe DAC ---> MSB Studio ADC master (DUJS)
Corr Depth: 46,0 dB (L), 48,0 dB (R) Difference: -65,3 dBFS (L), -66,7 dBFS (R)

Forssell MADA-2 ---> Antelope Pure2 (MattGray)
0.0 dB (L), 0.0 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)

Ross Martin AES EIGHT 1794A DAC ---> Metric Halo ULN8 master (Actualsizeaudio)
-0.1 dB (L), -0,3 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)

ZOD Audio modded Ross Martin Audio AES8 into Metric Halo ULN-8 3d master (Actualsizeaudio)
-0,1 dB (L), 0,3 dB (R)..Corr Depth: 36,1 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)

Lynx Hilo with SRC 88.2 master to MOTU 828 MkII (capn357)
0.3 dB (L), 0.4 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.2 dBFS (R)

Motu 24Ao ---> Antelope Pure2 master (leolycra)
-0.2 dB (L), -0.2 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference*: -56.8 dBFS (L), -58.1 dBFS (R)

MOTU 828 MkII USB ---> MOTU 828 MkII master (capn357)
0.1 dB (L), 0.1 dB (R)..Corr Depth: 36,3 dB (L), 37,9 dB (R) Difference: -56.7 dBFS (L), -58.1 dBFS (R)

Forssell MADA-2 2-a ---> Texas Instrument PCM4222 Evaluation Module master (Mikathechou)
0.7 dB (L), 0.7 dB (R)..Corr Depth: 36,1 dB (L), 37,7 dB (R) Difference*: -56.5 dBFS (L), -57.9 dBFS (R)

Swissonic DA24 MkII ---> Black Lion Audio Sparrow mkII (living sounds)
0,6 dB (L), 0,6 dB (R) Corr Depth: 36,0 dB (L), 37,6 dB (R) Difference*: -56.4 dBFS (L) , -57.8 dBFS (R)

Benchmark DAC2 HGC ---> Mytek Stereo 192 ADC master (dheming)
1,1 dB (L), 1,0 dB (R)..Corr Depth: 35,5 dB (L), 37,0 dB (R) Difference: -55,2 dBFS (L), -56,3 dBFS (R)

Metric Halo LIO-8 ---> Burl B2 Bomber ADC (Antoine Fabi)
LIO-8 or B2 WC master, -14 dB / -16 dB B2 input: 1,8 dB / 3,8 dB (L), 1,8 / 3,8 dB (R)..Corr Depth: 35,3 dB (L), 36,8 dB (R), Difference: -54.8 dBFS (L), -55,7 dBFS (R), Difference* (B2 WC master): -55.7 dBFS (L), -57.0 dBFS (R)
B2 AES master, -14 dB / -16 dB B2 input: 1,8 dB / 3,8 dB (L), 1,8 / 3,8 dB (R)..Corr Depth: 35,3 dB (L), 36,8 dB (R) Difference: -54.8 dBFS (L), -55,6 dBFS (R)

Genex GXD8 ---> Genex GXA8 (Antoine Fabi)
0.1 dB (L), 0.1 dB (R)..Corr Depth: 35,1 dB (L), 36,3 dB (R) Difference*: -55.7 dBFS (L), -55.7 dBFS (R)

RME Fireface 400 ---> MOTU 828 MkII, 2 tests: RME or MOTU clock (MusicManic)
5,1 dB (L), 5,2 dB (R) Corr Depth: 35,1 dB (L), 36,7 dB (R) Difference: -54.7 dBFS (L), -55.7dBFS (R)

Swissonic DA24 Mk2 ---> Audient iD22 master (Evaluating AD/DA loops by means of Audio Diffmaker)
0.9 dB (L), 1.0 dB (R)..Corr Depth: 34,2 dB (L), 35,8 dB (R) Difference*: -54.6 dBFS (L), -56.0 dBFS (R)

Forssell MDAC-4 ---> Studer D19 master (funkakuchi on Pragmatic Audio)
0,1 dB (L), 0,1 dB (R) Corr Depth: 34,3 dB (L), 36,2 dB (R) Difference: -53.9 dBFS (L), -55.3 dBFS (R)

Lynx Aurora 16 ---> Focusrite Blue 245 master (funkakuchi on Pragamatic Audio)
0,04 dB (L), 0,02 dB (R) Corr Depth: 63,4 dB (L), 62,2 dB (R) Difference*: -53.4 dBFS(L) -52.5 dBFS(R)

Lynx Aurora ---> Texas Instrument PCM4222 Evaluation Module master
living sounds, DC filter off ?.
Synchro lock off: 0.1 dB (L), 0.1 dB (R) Corr Depth: 65,6 dB (L), 63,8 dB (R) Difference*: -53.4 dBFS (L), -52.5 dBFS (R)
Synchro lock on: 0.311 dB (L), 0.317 dB (R) Difference*: -53.4 dBFS (L), -52.5 dBFS (R)
Mikathechou: 1.1 dB (L), 1.1 dB (R)..Corr Depth: 36,1 dB (L), 37,5 dB (R) Difference*: -51.2 dBFS (L), -50.9 dBFS (R)

Lynx Hilo master ---> MOTU 828 MkII USB (capn357)
2.3 dB (L), 2.3 dB (R)..Corr Depth: 36,1 dB (L), 37,5 dB (R) Difference*: -51.2 dBFS (L), -50.8 dBFS (R)

Focusrite Scarlett 18i20 (1rst generation) to Antelope Zen Tour (esldude)
-0.2 dB (L), -0.2 dB (R)..Corr Depth: 34,3 dB (L), 36,2 dB (R) Difference*: -50.7 dBFS (L), -50.3 dBFS (R)

Apogee DA-16X ---> Apogee AD-16X (Todd Loomis)
2.4 dB (L), 2.4 dB (R)..Corr Depth: 39,4 dB (L), 41,4 dB (R) Difference*: -50.7 dBFS (L), -49.9 dBFS (R)

MOTU 828 MkII ---> Lynx Hilo master (capn357)
1.6 dB (L), 1.6 dB (R)..Corr Depth: 42,4 dB (L), 44,5 dB (R) Difference*: -51.2 dBFS (L), -50.2 dBFS (R)

Emotiva XMC-1 -> Lynx Hilo master (capn357)
0.2 dB (L), 0.2 dB (R)..Corr Depth: 41,7 dB (L), 43,8 dB (R) Difference*: -51.0 dBFS (L), -50.0 dBFS (R)

Motu 24Ao ---> Lynx Aurora 8 (leolycra)
Motu master: -0.2 dB (L), -0.2 dB (R) Corr Depth: 34,7 dB (L), 36,6 dB (R) Difference: -46.3 dBFS (L), -46.1 dBFS (R) Difference*: -50.2 dBFS (L), -49.7 dBFS (R)
Lynx master: -0,2 dB (L), -0,2 dB (R)..Corr Depth: 34,7 dB (L), 36,6 dB (R) Difference: -46.3 dBFS (L), -46.1 dBFS (R)

Antelope Pure2 ---> Forssell MADA-2 (MattGray)
0.0 dB (L), 0.0 dB (R)..Corr Depth: 29.7 dB (L), 31.3 dB (R) Difference*: -50.1 dBFS (L), -51.5 dBFS (R)

Lavry DA924 ---> Lavry AD122-96MkII clocked by Antelope Isochrone Trinity + Antelope Isochrone 10M (Winston Tones)
0,0 dB (L), 0,0 dB (R) Corr Depth: 29,6 dB (L), 31,1 dB (R) Difference*: -50.0 dBFS (L), -51.3 dBFS (R)

ZOD Audio modded Ross Martin Audio AES8 into ZOD Audio modded RMA PCM4222 slave to Metric Halo ULN-8 3d (Actualsizeaudio)
3.7 dB (L), 4.1 dB (R)..Corr Depth: 29,2 dB (L), 30,8 dB (R) Difference*: -49.6 dBFS (L), -51.0 dBFS (R)

Ross Martin Audio AES8 DAC to Ross Martin Audio PCM4222ADC master (Actualsizeaudio)

2.4 dB (L), 2.1 dB (R)..Corr Depth: 29,3 dB (L), 30,7 dB (R) Difference*: -49.7 dBFS (L), -50.9 dBFS (R)

Forssell MDAC-4 ---> Forssell MADC-2 (first version) master (funkakuchi on Pragmatic Audio)
0,5dB (L), 0,5 dB (R) Corr Depth: 29,6 dB (L), 31,1 dB (R) Difference: -49,2 dB (L), -50,3 dB (R)

Focusrite Saffire PRO 40 ---> MOTU 828 MkII, 2 tests: Focusrite or MOTU clock (MusicManic)
2,4 dB (L), 2,4 dB (R) Corr Depth: 34,2 dB (L), 36,0 dB (R) Difference: -46.6 dBFS (L), -46.6dBFS (R)

Audient iD22 ---> Behringer ADA8200 master (Hardtailed)
2,0 dB (L), 2,5 dB (R)..Corr Depth: 28,4 dB (L), 30,6 dB (R) Difference: -46.5 dBFS (L), -48.1 dBFS (R)

Forssell MADA-2 --->_Aurora_16-VT master (Mikathechou)
1.0 dB (L), 1.0 dB (R) Corr Depth: 32,7 dB (L), 34,5 dB (R) Difference: -46.2 dBFS (L), -46.2 dBFS (R), Difference*: -49.6 dBFS (L) -49.4 dBFS (R)

Tascaml UH-7000 ---> Lynx Hilo master (sm5)
1,0 dB (L), 1,0 dB (R)..Corr Depth: 36,7 dB (L), 38,5 dB (R) Difference: -46.2 dBFS (L), -45.9 dBFS (R)

Audient iD 14 ---> Lynx Hilo (sm5)
5.8 dB (L), 5.8 dB (R)..Corr Depth: 25,4 dB (L), 27,1 dB (R) Difference: -45.3 dBFS (L), -46.2 dBFS (R)

Emotiva XDA-1 ---> Prism Lyra 1 (capn357)
0,0 dB (L), 0,0 dB (R)..Corr Depth: 25,8 dB (L), 27,7 dB (R) Difference: -44.7 dBFS (L), -45.5 dBFS (R)

Lynx Aurora 16-VT --->_Forssell MADA-2 master (Mikathechou)

1.1 dB (L), 1,1 dB (R) Corr Depth: 29,6 dB (L), 31,1 dB (R) Difference: -44.3 dBFS (L), -44.4 dBFS (R) Difference*: -48.0 dBFS (L), -48.3 dBFS (R)

MOTU 828 MkII ---> RME Fireface 400, 2 tests: MOTU or RME clock (MusicManic)
0,3 dB (L), 0,5 dB (R) Corr Depth: 24,5 dB (L), 26,3 dB (R) Difference: -44.1 dBFS (L), -45.3dBFS (R)

Behringer ADA8200 ---> Audient iD22 master (Hardtailed)
2,8 dB (L), 2,9 dB (R)..Corr Depth: 28,5 dB (L), 30,1 dB (R) Difference: -42.9 dBFS (L), -42.8 dBFS (R)

MOTU 828 MkII ---> Focusrite Saffire PRO 40, 2 tests: MOTU / Focusrite clock (MusicManic)
1,3 dB (L), 1,8 dB (R)Corr Depth: 25,9 dB / 25,8 (L), 29,9 dB (R) Difference: -42.2 / -42.1 dBFS (L), -44.4dBFS (R)

Tascam-DA3000 ---> Mytek Stereo 192 ADC master (dheming)
3,4 dB (L), 3,3 dB (R)..Corr Depth: 27,0 dB (L), 28,3 dB (R) Difference: -39.9 dBFS (L), -39.4 dBFS (R)

Digidesign Rack ---> Mytek Stereo 192 ADC master (dheming)
0,7 dB (L), 0,7 dB (R)..Corr Depth: 17,7 dB (L), 19,0 dB (R) Difference: -38.1 dBFS (L), -39.1 dBFS (R)

Metric Halo ULN8 DAC to Ross Martin Audio PCM4222ADC (Actualsizeaudio)
ADC master or DAC master: 0.0 dB (L), 0.1 dB (R)..Corr Depth: 17,1 dB (L), 18,5 dB (R) Difference*: -37.5 dBFS (L), -38.7 dBFS (R)

Atoll DAC200 --> RME Babyface master (didier.brest)
Corr Depth: 10,1 dB (L), 11,9 dB (R) Difference: -30,0 dBFS (L) -31.3 dBFS (R)

RME Babyface --> RME Fireface 400 (didier.brest)
Corr Depth: 16,6 dB (L), 18,4 dB (R) Difference: -29,4 dBFS (L), -28,8 dBFS (R)

Benchmark DAC1 phone output ---> Echo Audiofire 4 (david1103)
Corr Depth: 10,4 dB (L), 10,2 dB (R) Difference: -22,6 dBFS (L), -23,1 dBFS (R)

Unsynchronized mode. The DA and AD converters run each on its own clock. Measurement performed with sample rate drift correction activated in Audio DiffMaker and limited to the first half of the sample. Because the RMS level of this first half is 1 dB lower than the RMS level of the full-size sample, one must increase the difference RMS level figures by 1 dB for comparison with the synchronized mode.

Lynx Aurora ---> Texas Instrument PCM4222 Evaluation Module (living sounds). DC filter off.
Aurora clock at 44.1 kHz: 0.3 dB (L), 0.3 dB (R), rate adj=-0,0749 ppm. Corr Depth: 61,8 dB (L), 59,3 dB (R) Difference*: -54.8 dBFS (L), -53.9 dBFS (R)
Aurora clock at 88.2 kHz: 0.3 dB (L), 0.3 dB (R). rate adj=1,0352 ppm.Corr Depth: 65,9 dB (L), 69,9 dB (R) Difference*: -65.4 dBFS (L), -66.2 dBFS (R)

Benchmark DAC2 HGC ---> Mytek Stereo 192 ADC (dheming)
4,1 dB (L), 4,1 dB (R). rate adj=4,4143 ppm.Corr Depth: 36,1 dB (L), 38,1 dB (R) Difference: -56.9 dBFS (L), -58.2 dBFS (R)

March Audio DAC1 ---> Antelope Audio Zen Tour (esldude)
1,0 dB (L), 0,9 dB (R). rate adj=-0,8183 ppm.Corr Depth: 35,0 dB (L), 37,0 dB (R) Difference: -55.6 dBFS (L), -56.9 dBFS (R)

Forssell MDAC-4 ---> Alesis Masterlink ML-9600 (funkakuchi on Pragmatic Audio)
1,1 dB (L), 1,2 dB (R). rate adj=7,8413 ppm.Corr Depth: 34,6 dB (L), 36,2 dB (R) Difference: -55.3 dBFS (L), -56.5 dBFS (R)

Lavry DA11 ---> Benchmark ADC1 (non USB, 2005) ---> Tascam US-366 (usernaim)
4,2 dB (L), 3,7 dB (R). rate adj=1,2144 ppm.Corr Depth: 33,3 dB (L), 38,7 dB (R) Difference: -52.2 dBFS (L), -57.8 dBFS (R)

Musical Fidelity V-Link ---> Benchmark DAC1 ---> TC Electronic Konnekt 8 (usernaim)
5,4 dB (L), 4,9 dB (R). rate adj=-1,5532 ppm.Corr Depth: 30,1 dB (L), 32,2 dB (R) Difference: -50.8 dBFS (L), -52.1 dBFS (R)

TC Electronics Impact Twin to Antelope Discrete 4 Loopback(Coucou)
5,9 dB (L), 5,9 dB (R). rate adj=4,9685 ppm.Corr Depth: 32,9 dB (L), 34,9 dB (R) Difference: -50.0 dBFS (L), -51.4 dBFS (R)

BenchmarkDAC2 HGC ---> Digidesign Rack (dheming)
5,5 dB (L), 5,5 dB (R). Rate adjustment unnecessary.Corr Depth: 35,5 dB (L), 37,9 dB (R) Difference: -49.4 dBFS (L), -49.2 dBFS (R)

Akai Z8 ---> E-MU 1212M (tiberius)
2,7 dB (L), 3,1 dB (R). rate adj=2,7931 ppm.Corr Depth: 27,3 dB (L), 29,7 dB (R) Difference: -47.9 dBFS (L), -49.6 dBFS (R)

LG V30 ---> MOTU 828 MkII (capn357)
2,2 dB (L), 2,2 dB (R). rate adj=-17,3159 ppm.Corr Depth: 30,6 dB (L), 30,5 dB (R) Difference: -48.6 dBFS (L), -47.6 dBFS (R)

JDS Labs ODAC ---> Echo AudioFire 4 (syns)
10,2 dB (L), 10,2 dB (R). rate adj=8,1413 ppm.Corr Depth: 26,5 dB (L), 28,6 dB (R) Difference: -47.2 dBFS (L), -48.6 dBFS (R)

MOTU Ultralite ---> Mytek Stereo 192 ADC (dheming)

1,5 dB (L), 1,5 dB (R). rate adj=0,0474 ppm.Corr Depth: 36,8 dB (L), 39,1 dB (R) Difference*: -46.9 dBFS (L), -46.2 dBFS (R)

ATOLL DAC 200 --> RME Fireface UFX (didier.brest)
2,3 dB (L), 2,4 dB (R). rate adj=8,8289 ppm.Corr Depth: 23,2 dB (L), 25,3 dB (R) Difference: -44,0 dBFS (L), -45,4 dBFS (R)

JDS Labs ODAC ---> RME Fireface 800 (syns)
5,3 dB (L), 5,3 dB (R). rate adj=-1,5467 ppm.Corr Depth: 23,2 dB (L), 25,5 dB (R) Difference: -43.8 dBFS (L), -45.3 dBFS (R)

Benchmark DAC2 HGC ---> Marantz PMD661 (dheming)
4,1 dB (L), 4,5 dB (R). rate adj=14,8525 ppm.Corr Depth: 23,0 dB (L), 25,1 dB (R) Difference: -43.8 dBFS (L), -45.2 dBFS (R)

Tascam DA-3000 ---> Mytek Stereo 192 ADC (dheming)
3,4 dB (L), 3,3 dB (R). rate adj=0,0426 ppm.Corr Depth: 27,7 dB (L), 29,3 dB (R) Difference*: -42.8 dBFS (L), -42.7 dBFS (R)

Benchmark DAC2 HGC ---> Tascam DA-3000 (dheming)
3,1 dB (L), 3,0 dB (R). rate adj=0,0750 ppm.Corr Depth: 24,0 dB (L), 25,9 dB (R) Difference: -42.5 dBFS (L), -43.0 dBFS (R)

Benchmark DAC2 HGC ---> MOTU UltraLite (dheming)
5,1 dB (L), 5,0 dB (R). rate adj=0,0102 ppm.Corr Depth: 21,7 dB (L), 23,6 dB (R) Difference: -42.3 dBFS (L), -43.6 dBFS (R)

Benchmark DAC2 HGC ---> (dheming)
8,3 dB (L), 8,2 dB (R). rate adj=-8,6552 ppm.Corr Depth: 16,4 dB (L), 18,5 dB (R) Difference: -36.9 dBFS (L), -38.3 dBFS (R)

ATOLL DAC 200 --> RME Babyface (didier.brest)
Rate adj=-4,3193 ppm.Corr Depth: 10,8 dB (L), 13,0 dB (R) Difference: -31,5 dBFS (L), -33,1 dBFS

For contributing to this test :
- download the test 2 x 44 kHz x 24 bit wav file (31 MB),
- cable link the 2 DAC outputs to 2 ADC inputs,
- play back the test file to the DAC outputs and record from the ADC inputs,
- upload to mediafire or any other file sharing site the 2 x 44 kHz x 24 bit wav file from this recording and
- provide the download link here with information about ADC and DAC identities.
Your contribution is welcome even if your converter is already in the above list.
Thank you !

Last edited by didier.brest; 4 weeks ago at 11:39 AM..