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Old 23rd May 2019
Lives for gear

Great, thanks. I guess I've never really known how much leeway the score and sfx mixers had regarding LFE content in the pre-dubs, and assumed that all decisions about what went to the LFE were reserved for the re-recording mixer at the final dub stage. But I can see how working with competent pre-mixers could ultimately make the re-recording mixer's job easier by helping them understand the vision of the music and fx people, even if they're not involved in the final mix.