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Old 23rd April 2019
  #5
Gear Nut
 
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I use two comps in series for most lead vocals to control and grab transients and push and thicken the body.

I send the vocals to a dedicated bus which then houses all the glue processes.

I also have a dedicated effects group which has s/c comp on it to duck effects when the lead vocal kicks in.

Many ways to process vocals but TBH it comes down to context.