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Old 11th June 2007
  #22
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Quote:
Originally Posted by Jaguar Dreams View Post
Tony,

Thanks so much for sharing the mic choice information. I recently found myself studying BIB and thinking "no way in hell that's a 57 on those guitars, must be an LDC or SDC". I was also pretty convinced that was an AKG on the hihat. It's cool to get some validation from the source!

A few more drum questions since they do sound so awesome:
a) Can you talk about the mixing on the overheads? It sounds, on Hell's Bells in particular, like the cymbals are in another room from the rest of the drums. Was that natural reverb from the room, or did you have the overheads going to a send where they were high-passed and then verbed?

I can't say I had particularly noticed that!. There was no reverb on the overheads and i never high pass cymbals as the main harmonics of cymbals are actually the lower frequencies. I wonder if you are listening to a 're-mastered' version which (in my opinion) is nothing like the original mastering?

b) Can you talk about how you got the kick and snare so isolated? In a nicely live room it can be hard to, for instance, keep something like a U47 on kick from picking up tons of stuff besides the kick. Same thing with the KM86 on the snare. Was it just really good mic placement or did you, for instance, use a blanket tunnel on the kick?

They are not really isolated as such - it's just that the spill from one to the other has not been compromised by excessive EQ. I do sometimes use a blanket tunnel on the kick and I have been know to create a snare 'collar' to keep hi-hat out of the snare mic. Generally though this is when either the kit is not well balanced acoustically or the drummer does not have good dynamic control.

Thanks so much for being a part of such an awesome album, and for taking questions!

My pleasure!

Cheers,
-Jaguar

Tony