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Old 6th June 2007
  #12
Gear Nut
 

Hey Tony

BIB changed my life probably more than any other album ever has - Thanks for bringing it to life and for doing such an incredible job.

Couple of questions regarding the mic setup for the guitars.

Firstly was it one cab per guitarist or was it a more involved setup?

how did you place the mics? what kind of distance from the cabinet was involved and how did you balance and blend the two mics together from a phase coherence perspective? did you adjust this dependant on the song or to the extenet to which the head cabinet combo was being driven volume wise?

Did you start with one as your main picture and add some 'air' with the other or did you opt for getting a wider tonal picture by having them both similar distances from the cab and having them on different parts of the cone/cabinet? Was the any degree that you offset the angle of the diaphraghm to account or the amount of air pressure etc. just looking to get some idea of what you were fishing for when you were micing them up and if there were any hard and fast starting points outside of the 'touch and tone' the Mal and Angus supply to getting the results you did?

Apologies for the multi questons - It's pretty much the best rock guitar sound ever committed to tape and I'd kick myself if I didn't take the opportunity to ask!

Thank you so much.

DR