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Old 3rd February 2017
  #3
Lives for gear
 

I'd be interested in some real-world experience of how this works in practice, esp re dialog with wide dynamic range (whisper>surprise shout) etc. Many things that work fine when things are going "sensibly" work less well in more chaotic and unpredictable situations. That said, we lived and dealt with the terrible audio input stages of video decks for years and years, and got away with it mostly. They were not in the same league as the F8 at all, and I see a lot of indie drama soundies driving F8s: would love to hear from them.