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Old 23rd February 2016
  #68
Gear Nut
 
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Chiming in from Berlin..and the vote goes for 44.1

No matter what, the amount of jobs coming in with "regular" 44.1kHz format is always over the others. When we track we have a tendency to go higher, there's all sort of discussion with the mixing engineer of the moment..some go 88.2, other 96, but even if we sum up all the times we stay over 44.1, the most tracks come and get out of here at 44.1

The second I would add is still 48..yes, in all the post production we get it seems to be the favorite..probably a device/cameras thing?