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Best. Mic. Ever. Ribbon Microphones
Old 27th August 2017
  #31
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esldude's Avatar
 

Quote:
Originally Posted by studer58 View Post
While the singing and performance is sublime, am I the only one who finds the reverb behind her voice a bit "obvious", a bit too opulent and not of contiguity with the surrounding orchestra ?

I had the same feeling listening to that.
Old 11th September 2017
  #32
Gear Addict
 
Al Rogers's Avatar
 

A fellow N8 owner here. It's a monster of a microphone!!!

PS. Now you need an N22 or better yet... a pair I have some nice condenser mics that cost more than double what these mics sell for. The N8 and N22 are my favorites.

Last edited by Al Rogers; 11th September 2017 at 03:59 AM..
Old 19th September 2017
  #33
Gear Nut
 

Quote:
Originally Posted by David Spearritt View Post
zooming in I am surprised to see that the TLM170 seem to be cardiod, I would have guessed omni.

(apologies from derailing again from N8).
Old 12th February 2018
  #34
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I recently tried a schoeps cmc 6 mk2 and it was the most versatile, beautiful omni mic I ever tried
Old 1 week ago
  #35
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Edinburgh's Avatar
Very interesting. I’m deciding between R84 and N8. I use them for classical recordings, solo spot, small ensembles, etc. N8 is active and I think your comment just made me leaning to the N8. Thanks a lot!
Old 1 day ago
  #36
Has anyone compared (or had experience using) the N8 and Samar VL37? They're at a similar price point and form factor.

My guess would be that the VL37 has a more extended high end, and would be more suitable as a main pair. I've heard N8s as a main pair on orchestra and ensemble, and they have a lovely sound; they just need a fair amount of high end boost IMO. On flute, I'd imagine they'd be just the ticket.
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