We are super thrilled to have the living legend that is Geoff Emerick join us for a 2-week Q+A. Just wanted to say thanks in...

1) All questions and followup questions will be moderated in advance... submit your question ONCE as a new thread and it will...

Geoff Emerick is without a doubt one of the most innovative and influential audio engineers of all time. Pioneering such...

holà did you come across any technology in your post-beatles work you wish that would have been available earlier on...

Hello Geoff, I've noticed the Beatles records often have a very crisp and present sound (especially the early stuff in relation...

G'day Geoff, Can you tell us a little about approaches to EQ back in the 60's? With plugins, these days, it could be argued...

In your book "Here, There and Everywhere" you shared how you overloaded the Fairchild to create more excitement on the...

Hi Geoff. Thank you so much for all the time you put in while you were engineering those great records with The...

Hey Geoff. Thank you for taking the time to do this! Im curious if there are any plugins you use and how they compare with the...

Hi Mr. Emerick, thank you very much for doing this. I'm recording a singer songwriter (just voice and guitar) this weekend...

Hello Geoff, Thanks for doing this. My question is about the edit at the end of the chorus. As you may know, a very poor...

Hi Geoff, Even though the White Album and Abbey Road were recorded with a relatively short amount of time between them, the...

Hey Geoff, Any insights on how you mic'd and tracked acoustic guitars and harmony vocals on America stuff? The guitars...

Update 31 July!!! Geoff wants more questions!! Now that the Masterclass is done & dusted... (videos coming soon, we're...

Hi Geoff, On your production of Elvis Costello's album "Imperial Bedroom" (one of my favorite records) it sounds...

Hi Geoff. I've always loved the sound of Paul's bass on Mrs. Vanderbilt and tried to emulate it many times and would love to...

Hi Geoff, (I need to mention this before: You had the kindness to answer me as I wrote a letter to you five years ago about...

Hi Geoff, Can you tell us about the string sound(s) on Eleanor Rigby? I feel like it was one of the first rock songs with only...

Hi Geoff I can't imagine the difficulties in such a massive undertaking so I'll restrict my questions to a basic nature....

Hi Geoff, I'm interested in your thoughts on the EMI-brand tape sound they used in EMI's studios and what you liked and used...

Hi Geoff, Something I've never been able to find out. When working with Gino Vannelli, what mic(s) did you use for lead...

Thank you for doing this and for all your great work. I have heard different accounts of how Paul's bass was recorded throughout...

Hi Geoff, I’ve heard stories of how the Fairchild Limiter was attached between the desk and the tape machine during...

Hi Geoff, It would be great if you could tell us your ways of creating depth in mixes. What do you do if you want to push...

With the current consoles out there today, is there one that you prefer working on the most and if so why? Thanks

Hello, also loved your book and really well done. I think many of us wonder what it would have been like to observe those...

Hey Geoff! Any general advice for interns/studio assistants to set themself above the bell curve in terms of studio etiquette...

Hi Geoff, There is a story that been floating around for years surrounding the first installation of the original Air Studio...

not a question of "which had the best gear" but out of the studios you worked in which one gave you more inspiration...

Hi Geoff, looking good sir. I'm curious about the mix of 'Give a Little Bit' by Supertramp. Can you tell me your approach to...

Hi Geoff, awesome to have you here. I loved your book Here, There and Everywhere. My question is about track eq for the...

Geoff, The fashion when I joined this site was to use a pseudonym, but my name is Jeff Sanders. I worked at Crystal Studios in...