Collider takes supremely high-end delay and reverb effects and offers them in a sleek and powerful design with massive processing muscle and clean functionality. The Collider features two completely independent 56-bit signal processors, essentially housing a high-powered reverb AND a high-powered delay pedal in a single box. This means that it is possible to create magnificent tones with any two-effect combination of delay/reverb, delay/delay, or reverb/reverb.



12 Hand-Picked Delay + Reverb Engines (algorithms from nemesis and ventris):
• Room Reverb: The ROOM engines capture the ambient reverberations of a real acoustic space. The ROOM engine can summon a variety of room sizes from a warm and intimate household room to a larger theatre sized space.
Hall Reverb: Patterned after the lush sounds of studio rack units from the 80s, the HALL L engine is distinguished by its highly diffuse tones and glorious blooming characteristic.
• True Spring Reverb: Source Audio’s Chief Scientist, Bob Chidlaw, worked long and hard to perfectly capture the sweet idiosyncrasies of a vintage spring reverb tank. The result is an exceptionally realistic effect with the unmistakable “drip” heard in vintage spring reverb equipped amplifiers.
• Plate Reverb: This authentic sounding reverb engine is a spot-on simulation of the highly diffuse effect synonymous with vintage plate reverb units of the • 50s and 60s.
• Shimmer Reverb: This pitch shifting reverb engine mixes traditional room sounds with octave-up reflections for an angelic reverb effect.
• E-Dome Reverb: The cavernous E-DOME (a.k.a. “Enormo-Dome”) produces long, lush reverb trails that linger for days. Invoke the sound of massive, arena settings with the Ventris Reverb’s largest room simulation. This one is huuuuge.
• Swell Reverb: Creates smooth, amorphous volume swells. This engine applies a volume swell effect to your instrument’s dry signal, which is then fed into the reverb effect for super-long and ambient clouds of sound. This effect is great for creating soft, atmospheric chord pads.
• Digital Delay: A pristine and unfiltered digital repeats.
• Analog Delay: This delay engine reproduces the characteristic dark sound of bucket brigade analog delays.
• Tape Delay: A detailed re-creation of classic moving-head tape delays. Repeats are bandwidth limited and have artifacts characteristic of tape delay, such as filtering, preamp saturation, noise, wow and flutter.
• Reverse Delay: A classic reverse tape sound that became popular in 60s psychedelic rock. The TONE knob can create several overlapping reversed delays that fade in and fade out regularly to create a pulsing tremolo effect.
• Oil Can Delay: This is a dark, jangly, warbling and distorted delay inspired by old oil can designs that previously appeared in the “Extended Delay Engines” on the Nemesis.

Availability: January 2020
Price: 425 euro's

Ordered yesterday. Lovely pedal design in colors as well.

Can someone who has this tell me, is it quite quick/simple to set up input MIDI clock sync?
Does the sync setting get saved per patch, or is it global?