Quote:
Originally Posted by
hemmick reef
What I meant by 'hardware' is something like the korg SV1 or the Clavia keyboards/synths, anything that recreates the sound of a Rhodes or Wurley. Even some of the cheaper Roland keyboards.
A computer is a computer. Most modern keyboards are a computer. The quality of sound output from a computer or a keyboard will be primarily determined by the software that is running on it, and secondarily by the quality of the DAC, output stage electronics, and the like. The first of these (the software) is by far the most important.
Many modern keyboards run sample playback engines (in this case, Rhodes samples recorded at different dynamic levels would be switched between or crossfaded between). Others use classic synthesis (like subtractive or FM), often mixed with sampled waveforms. Still others run physical modeling algorithms (similar to Lounge Lizard).
None of the many modern keyboards I have played sound particularly bigger or fuller than the many diverse sounds that you can coax from Lounge Lizard. In the case of modern keyboards recreating the Rhodes sound, it is a fallacy that hardware sounds bigger than software (as it's really all software).
In fact, Lounge Lizard or some of the better modern keyboards might sit in a particular mix more convincingly than a particular real Rhodes (and I've had a real Rhodes for 30+ years, and have played and/or serviced many others). I totally agree with thenoodle that every real Rhodes sounds and feels different (I work in some studios with more than one Rhodes for that reason).
So, in the end, it all comes down to a matter of taste. If you find a software emulation that speaks to you, great. If you find a modern keyboard that feels organic to you, great. And, if you decide that you connect best with a real Rhodes, great. Personally, I benefit from all three approaches in different circumstances.
Enjoy your Rhodes journey.