002 provides twelve discrete voices of polyphony with full multi-timbrality if desired Two oscillators per voice with two sub oscillators, which can be switched from being either traditional square wave to having the same waveform as the main oscillator – in effect making four oscillators per voice Analogue / digital hybrid architecture uses NCOs for very high resolution, and very stable oscillators. Over 50 different waveforms, ranging from classic analogue sounds to more unique digital shapes Modal Electronics designed 24dB per octave four pole transistor ladder filter, with some very unusual morphing characteristics or ‘polesweeping’, enabling transition from four pole through bandpass to one pole 6db per octave, or anywhere in between Two LFO’s, one per voice and one global Extensive modulation options, all accessed directly from the front panel – no menu options! 002 features a range of sequencing options – a built in 12 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running A very highly featured arpeggiator with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created The Modal Electronics Animator, which enables any control parameter on the 002 to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced Ethernet port to connect your 002 to your network and enable updates via the internet (no more midi sysex dumps) and access to the Modal Electronics cloud features Superb UI, a great departure from the norm of synthesisers, featuring a very high quality 4.3″ screen with wide viewing angle, display is context sensitive where the control parameters of any control knob that is touched by the user, is immediately displayed Twelve ‘quick recall banks’ are accessible directly from the front panel, enabling performing musicians to get rid of their set sheets and build set lists of presets, sequences and animations, all quickly accessible from dedicated front panel buttons. Up to ten banks of quick recalls can be created, making live performance a doddle VCF and VCA envelope generators Four Key Modes – Polyphonic, Monophonic, Unison and Stack Very high quality construction, uses a premium FATAR semi-weighted five octave key mechanism with aftertouch All voice control parameters are accessible from a well designed and intuitive front panel, that follows a traditional synthesiser work flow Pure analogue signal path from the oscillators onwards, no digital conversion. Combined XLR/TRS sockets for balanced / unbalanced outputs. Further, each of the twelve outputs can be brought out individually via a dedicated d-sub socket. Optional Digital Output board providing multi voice outputs over USB (Class Compliant) with FX available 2016. Two audio inputs enabling audio processing from the VCF onwards plus external MIDI in and out XY joystick and Sustain and Expression pedal inputs for performance controls – any control parameter can be assigned to any joystick axis (X+, X-, Y+, Y-) by pressing the dedicated front panel selector button
A bit drastic for me but sold the GRP A4, Omega 8, Vermona perfourmer, Modal 002, and got me a Schmidt:
from what i have heard now of the Waldorf Quantum, i do think the Modal 002 sounds much more special.