
#1621
Quote:
Upgraded my mobile rig:
Focusrite Red 8Pre, the True Systems Precision 8 from my truck, and a pair of Focusrite Clarett Octopres. Protools Ultimate/HD Native Thunderbolt, and a pair of Netgear GS108T managed switches. With my Lenovo P50 latop.
This will form the backbone of the system in my truck, along with the DM2000 and a new computer once I get the Soundtracs console out of it.
The Red 8Pre will send all of it's analog and digital i/o (32 channels) to the Dante network, as well as take in 32 channels for a total of 64 channels, so I can send the 8Pre's i/o to the network for a second workstation or back up recorder.
This rig will do 26 channels at 96k (including the S/PDIF), or 32 at 48k (owing to the lost of 8 channels for the Octopre's ADAT conneciton). Plus another 32 channels from Dante at either 48 or 96k, depending on what the Dante network is running at. Also nice is that I have 3 headphone outputs for the main mix right on the front of the rack set up as default, so I can monitor, plus an assistant and another hanger-on if there is one.
I only had 15 channels on this recording: 12 flown mics, with two wireless handhelds for curtain and conductor speech and a mix send for the birds sound effects for the Gandolfi.
Focusrite Red 8Pre, the True Systems Precision 8 from my truck, and a pair of Focusrite Clarett Octopres. Protools Ultimate/HD Native Thunderbolt, and a pair of Netgear GS108T managed switches. With my Lenovo P50 latop.
This will form the backbone of the system in my truck, along with the DM2000 and a new computer once I get the Soundtracs console out of it.
The Red 8Pre will send all of it's analog and digital i/o (32 channels) to the Dante network, as well as take in 32 channels for a total of 64 channels, so I can send the 8Pre's i/o to the network for a second workstation or back up recorder.
This rig will do 26 channels at 96k (including the S/PDIF), or 32 at 48k (owing to the lost of 8 channels for the Octopre's ADAT conneciton). Plus another 32 channels from Dante at either 48 or 96k, depending on what the Dante network is running at. Also nice is that I have 3 headphone outputs for the main mix right on the front of the rack set up as default, so I can monitor, plus an assistant and another hanger-on if there is one.
I only had 15 channels on this recording: 12 flown mics, with two wireless handhelds for curtain and conductor speech and a mix send for the birds sound effects for the Gandolfi.