Which is the best mastering compressor plugin ?
Old 17th May 2012
  #91
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Jerry Tubb's Avatar
 

Verified Member
Quote:
Originally Posted by Digital Network View Post
Which is the best mastering compressor plugin ?
insert pic of an XLR cable "plugging in" to a Rupert Neve MBP

JT
Old 20th December 2012
  #92
The Glue

2nd choice: Klanghelm DC8C or Elysia Alpha
Old 23rd December 2012
  #93
Gear addict
 
Liam Judah's Avatar
 

Great discussion! I really like the elysia alpha and brainworx vertigo vsc 2. Have some of the options others have mentioned, but I usually reach for one of these first.
Old 23rd December 2012
  #94
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Macaroni's Avatar
 

I've become a recent convert to Paul Frindle's Dynamic Spectrum Mapper...

Pro Audio DSP - Professional Audio Plugins - Audio Units, Pro Tools and VST for Mac and PC

It's a new concept instead of an emulation of something old. It is brilliant in its concept and application. It's also on sale now at Plugin Alliance. I use it on individual tracks too.

Check out his video...

http://vimeo.com/2365432

BTW, Paul Frindle was the lead designer on the SSL boards and the Sony Oxford digital console. He mentioned in a thread here that, knowing what he knows, he would never use a lot of the old SSL stuff, like the buss comp.
Old 23rd December 2012
  #95
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Muser's Avatar
I often like T-Racks 1. there's 4 devices in that though but, they all work very well together. when problems arise in one compressor you can often counteract it with the other compressor or a little of it's EQ. to the point where you don't really hear any extra EQ but some mid or top might dynamically bloom and keep the compressor open just long enough to bring something to life in a very musical way.
Old 23rd December 2012
  #96
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nomatic's Avatar
The Dynamic spectrum mapper is really innovative and useful!
Old 24th December 2012
  #97
Gear interested
 
eliran-complex's Avatar
 

My glue compressor for mastering is the Waves PuigChild 670!
Old 26th December 2012
  #98
Gear Head
 

DSM and Alpha Compressor

This Dynamic Spectrum Mapper is a pretty crazy device after having watched the videos! Will have to try. I'm wary of "fix-all" devices (vocal rider et al). At the least, as a de-esser, DSM seems very powerful and as new/diff. as it seems to be, definitely warrants a good working over. Considering the source it can't be easily dismissed.

As for the SW compressors, I've grown to love the Alpha comp in a mastering context, for numerous reasons. Sidechain HP control is often crucial. M/S dynamics are extremely helpful when dealing nasty transients-snares, harsh vocals for ex. Parallel mix capability is major. It does nice-and-easy, and crushing, equally well. Up and down compression, too. The oversampling continues to surprise when picking up gain, pre-brickwall.
Much as I'd like to ditch (and do when I can) brickwall, it's comforting to get good average volumes up w/out having to rely on the limiter.
As for SW limiters I tend to go with the UA Precision for more open, acoustic work, the Pro-L for more dense applications.

Highly recommended, the Alpha comp, though it takes some time to get comfortable with, imo.

Cheers!

Quote:
Originally Posted by Macaroni View Post
I've become a recent convert to Paul Frindle's Dynamic Spectrum Mapper...

Pro Audio DSP - Professional Audio Plugins - Audio Units, Pro Tools and VST for Mac and PC

It's a new concept instead of an emulation of something old. It is brilliant in its concept and application. It's also on sale now at Plugin Alliance. I use it on individual tracks too.

Check out his video...

Dynamic Spectrum Mapper introduction on Vimeo

BTW, Paul Frindle was the lead designer on the SSL boards and the Sony Oxford digital console. He mentioned in a thread here that, knowing what he knows, he would never use a lot of the old SSL stuff, like the buss comp.
Old 26th December 2012
  #99
Lives for gear
 
Macaroni's Avatar
 

The DSM takes a bit to wrap your head around setting up the profile, but after that it's straight forward. Go to presets and use the startup preset. It's exaggerated but it's used to set the profile for the loudest part of the song. Then save the profile and setup the comp like a regular comp and load the profile. He explains it in the video.

I recently replaced the UAD Precision Limiter with the Flux Elixir and it is much more transparent and clean/clear, which benefits my music much more.
Old 8th September 2014
  #100
Gear interested
Favorite Mastering Compressor Plugin

Although there are great plugin which have been mentioned in this thread, I recommend the Shadow Hills Mastering Compressor (UAD preferred). Once you use it its pretty hard to stay away from it

I also love the PSP Vintage Warmer lots of great attitude, character, and warmth!

Enjoy making music!
Old 9th September 2014
  #101
Gear Addict
 
szmola's Avatar
 

+1 Cytomic's The Glue
Old 9th September 2014
  #102
Lives for gear
Old 11th September 2014
  #103
Lives for gear
 

I got some pretty invisible results with Tim Petherick's latest Nebula release, the Summit Audio TLA-100A compressor program. Not sure how accurate it is compared to the hardware but suffice to say that in Nebula form it's ridiculously transparent when used gently. Very nice indeed! Highly recommended for all Nebula users.
Old 11th September 2014
  #104
Lives for gear
 

I got some pretty invisible results with Tim Petherick's latest Nebula release, the Summit Audio TLA-100A compressor program. Not sure how accurate it is compared to the hardware but suffice to say that in Nebula form it's ridiculously transparent when used gently. Very nice indeed! Highly recommended for all Nebula users.
Old 14th October 2014
  #105
Gear Head
 
Precision Studio's Avatar
Logic comp
Api2500
The glue
The 3 have very nice sound and don't destroy the spectrum when well set up.
Old 14th October 2014
  #106
Gear Head
 
Precision Studio's Avatar
Logic comp
Api2500
The glue
The 3 have very nice sound and don't destroy the spectrum when well set up.
Old 14th October 2014
  #107
I recently purchased a license for the Sonoris Mastering Compressor and it's even better than I remember from demoing it. I own a couple of very nice hardware compressors but the Sonoris has seen a fair bit of use since I purchased it. In feedback mode it really is more transparent than anything else I've ever heard, hardware or software.

Of course, transparency isn't always the ultimate goal, but when it is I've found the Sonoris to be an excellent tool.
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