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Old 24th January 2007
  #31
Lives for gear
 
GP_Hawk's Avatar
Quote:
Originally Posted by Tibbon View Post
Sync'ing two JH-24's and a Protools HD rig isn't always that much more fun...
That's too much stress for me these days. Hell, dealing with the record button is too much stress!
Old 24th January 2007
  #32
Gear Maniac
 
danocaster's Avatar
 

Buy the Music Production Toolkit ( 48 STEREO track count ) - thats 96 individual tracks with any creative thought ( stereo sends / aux tracks )

With a Dual 2.7 G5 - I havent run outta tracks yet .. AND I can also keep my buffer very low ( like 64 ) until I start getting to 32+ tracks w / a bunch of plugs
Old 24th January 2007
  #33
Lives for gear
 
Henchman's Avatar
Quote:
Originally Posted by 7 Hz View Post
OMG guitar wank-a-thon! Bet that sounds good, and worth 8 tracks

Sorry...

Who cares how many tracks he does.
Fact is, it's time Digi does away with track limitations.

And 48 tracks is NOT 96 tracks.
Do you do EVERYTHING in sterao. I hardly do ANYTHING in stereo.
Old 24th January 2007
  #34
Gear Addict
[QUOTE=danocaster;1089164]Buy the Music Production Toolkit ( 48 STEREO track count ) - thats 96 individual tracks with any creative thought ( stereo sends / aux tracks )

What else do you get with the Music Production Toolkit? How much is it these days? I know I could have looked at Digi site but it's so slow & ******** so I rather ask you guys. Cheers,

Antti
Old 24th January 2007
  #35
Gear Maniac
 
danocaster's Avatar
 

I think I paid $350

It comes w/ Sound Replacer , a software synth(Hybrid) , TL Space, Smack, DINR, and the MP3 option.
Old 24th January 2007
  #36
Lives for gear
 
Henchman's Avatar
Quote:
Originally Posted by danocaster View Post
I think I paid $350

It comes w/ Sound Replacer , a software synth(Hybrid) , TL Space, Smack, DINR, and the MP3 option.

It's $500,- at Sweetwater.

What a rip.
Old 24th January 2007
  #37
Lives for gear
 
Tibbon's Avatar
Quote:
Originally Posted by matthew.sawicki View Post
I'm sure it's not!

Are you using a console at all? or just using the tape as a medium?
I've actually only had to sync up one HD system and one JH-24. It wasn't THAT bad really once I figured it out, since I could just slave PT to a SMPTE track using a SyncIO. I was saying that as a hypothetical pain in the ass sitation. If you wanted to jam two tape machines together, then you'd have to use a Lynx type device, with the SyncIO. Proves to have the potential for MANY more problems, and you stand the chance of wearing out your playback heads quicker. Sync'ing this to video would expand your problems even more.. Shudder.
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