The No.1 Website for Pro Audio
 Search Reviews  Search Gear Database  Search Gear for sale  Search Gearslutz Go Advanced

Description

Unveiled at the AES Show in 1978, the Lexicon 224 was not the first digital reverb (that honor goes to EMT’s 250), but the 224 (and its 224X and 224XL cousins) was the most ubiquitous and popular high-end studio reverb in history. The Lexicon 224 is an early digital reverb that was well known for its spacey, extra long decays. Vangelis was an early pioneer of the extra long decays using this unit, most famously in the Blade Runner soundtrack. The reverb was conceived when Dr. David Griesinger, a nuclear physicist/musician/classical recording engineer, started working on a digital solution to reverb. Seeing EMT’s 250 encouraged him to merge a microcomputer with his reverb design. He pitched his rough prototype to Lexicon, which bought the invention and brought Griesinger on board to help refine the product. One of Griesinger’s concepts for the new reverb was creating a separate control unit for parameter adjustment and program access. The 224 reverberation system had a console-top controller with a four-rackspace brain, two inputs, four outputs and interchangeable programs to simulate chambers, plates and rooms. The 224 was “affordable” – meaning $7,500 with two programs or $7,900 with four programs. But at half the price of EMT’s 250, the 224 was a hit. Eventually, the 224 evolved into the improved 224X and 224XL, which included the LARC (Lexicon Alphanumeric Remote Control), offering fingertip access to programs and parameters, dedicated function keys and a 24-character LED. The Lexicon 224 used a fixed point processor, with a 16-bit word size. It was designed in the late 1970s using the best technology available, which at the time was the 8080 microprocessor, 12-bit converters (using DAC80 DAC IC), input transformers, and bucketloads of 74S/LS-series logic. Although the converters themselves are 12-bit, a clever scaling circuit gives an extra 24dB of headroom by actively shifting the input gain. This gives a 16-bit conversion range overall, though precision is still only 12-bit. Specifications Released: 1978 Quantization: 12 bit THD: 0.05%

Discussions

Ways to get 80s sounding production?

...Here is what i use, in no particular order to achieve the sound you are looking for: 1. Reverb- Lexicon 224, or EMT 250. 2. Compression: 1176 or la 2a. 3. Pultec EQP 1A 4. UADs Harrison EQ (LOVE THIS AND ITS MY MAIN EQ) 5. Various Boss Guitar pedals from the early 80s, mainly BF-2...

View Post

10 UAD Plugins! Help!!

...E Series Channel Strip SSL G Series Bus Compressor Teletronix® LA-2A Legacy UA 610-B Current Selections FATSO Jr./Sr. Tape Sim. & Compressor Neve 33609 Compressor Lexicon 224 reverb Neve 88rs API Vision Neve 1073 Ampex ATR 102 Studer A800 Neve 1081 E LA2A Collection 1176 Collection Things I might consider adding to list replacing something currently on it EMT 140 Plate EMT 250 Digital Reverb Cambridge EQ Manley Massive api 500 Pultec Pro EQ Thanks in advance!!

View Post

Kate bush - Wickham Farm Home Studio

...out as well, and the whole thing disappears into the background and sounds weirder all the time, while some Lexicon 224 reverb is added to take it even further away. "At other times I used a 480L, a 244, a 244L, a Quantec, a Yamaha Rev 5, a Rev 7 , an SPX90, an old...

View Post

Reviews

Nobody has reviewed this product yet. Have an opinion?