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Description

The ELECTRIBE SX is a major step up in power and quality from the original ElecTribe series of dance music sequencer/synthesizers from Korg. The ESX-1 comes in a sturdy metal chassis with larger back-lit LCD display, expanded memory, voices & multitimbrality, more real-time controllers and vacuum tubes! Effects, Motion Sequencing, and Pattern length have also been expanded. And a new ribbon controller and slider have been added, providing a remarkable realtime interface for accessing the powerful arpeggiator. Using sample based sound creation, the ESX-1 can generate a total of 16 parts that can be used for building patterns. A generous 285 seconds of memory (at 44.1kHz) can be used to create up to 384 of your own samples. Nine parts are set up to play as "one-shot" samples, or Drum Parts. Two additional Keyboard Parts allow samples to be played melodically at various pitches right from the step keys or a MIDI input device. Sampled loops can be assigned to the Stretch Parts. As Stretch Parts, their tempos can be freely adjusted without affecting their pitch. This allows two sample loops recorded at different tempos to be used in the same piece of music. Phrase samples can be "Sliced," or divided up at the rhythmic peaks of the sample. Once sliced, individual samples can be muted to generate new grooves. Pitch, filter and effect settings can be applied to the individual sliced samples (or Motion Sequenced) to transform the original phrase into something unique. Two Accent parts introduce added dynamics. Reverse and Roll commands can be used to quickly generate complex sounding patterns. Additional Sample edit commands include Normalize, Truncate and Start Point. The ESX-1 ships with 196 preloaded samples covering a wide variety of styles. All samples (.WAV/AIFF format) can be imported and exported via SmartMedia cards. The two Vacuum tubes (Valve Force Circuitry) create an analog tube circuit to add warmth and presence to your sounds. The tube gain knob adjusts the level of the output signal passing through the vacuum tubes, creating dynamic sounds with the distinctive tonal quality that only tubes deliver. Three stereo effect processors are available for simultaneous use. Each part can be independently routed to any of the three effects processors, and you can even use the Chain function to link multiple effects in series. Each processor offers 16 effect types including reverb, delay, flanger and chorus, tempo-based delay, talking modulator, grain shifter, decimator and more. The edits you make to each of the effects processors can be saved with each pattern. A brand-new filter lets you chose Low Pass, High Pass, Band Pass or Band Pass Plus. Audio inputs allow you to process external signals through the on-board filter and effects, and an extra pair of assignable outputs has been added as well.

Discussions

Dave Smith Instruments Tempest

...a HIT for making live music. Last weekend, I played on a private party, using only the Tempest and a Korg Electribe ESX-1. I performed for 2:30 consecutive hours, using only 16 patterns of 4 measures each one... never thought it could be possible without ending with a boring, repetitive set of looping...

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Elektron Digitakt

Then compare it to the almost ten years old and battery powered MPC500. Or the KORG ESX. Or even the craptastic best thang.

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Akai MPC one

I saw on a video that you can assign the pads to play randomly, and since you can put 4 layers on each one, you can get “trig probability “ depending on how many layers you use. 1 layer is 25%, 2 is 50% and 3 is 75%. Not exactly as flexible as Elektron but...

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