26th May 2015
New APRS event: "Before there were Microphones"

Wax Cylinder Recording Session Workshop
The APRS, in association with The Vulcan Cylinder Record Company and the Royal College of Music Studios, are presenting a recording session workshop exploring wax cylinder studio techniques from the early 20th Century.

Date: May 26th, 2015
Venue: Belle Shenkman Recording Studio, Royal College of Music, London

For details and how to book, log in at the MPG website and go to the MPG Event page. This is event is open to MPG Full Members only.

What will be covered during the workshop session
Duncan Miller, who appeared in the recent BBC Four Series The Sound of Song by Neil Brand, has made acoustic recordings on cylinder and disc since the early 1980s. Using typical machinery and methods used in the formative years of the recording industry and with the assistance of student musicians, he will produce wax cylinder master records in front of a live audience.

Duncan explains: "Depending on the performers available, we will be selecting recording horn, choosing the right diaphragm, positioning performers for the correct balance and doing numbers of tests to ensure that we are getting a result that will please the public and play well on the phonograph in the managing director’s office (the bench mark of early recording quality). It is possible we shall cover such subjects as blasting, wax blank preparation, advance ball recorder setting, horn resonance, diaphragm resonance and sensitivity versus frequency response. We may even touch on the format wars in the relative merits of cylinders and discs. A chance to get all those questions answered as to how the cylinder and disc records that founded the industry were made in the 30-year period that preceded the introduction of the microphone".

Make your own recording - first-come, first-served
In addition to the recordings made by student performers, if time allows, there may be an opportunity for members attending to make their own recording. If you are a budding star of wax cylinder and can bring your own instrument, mention this when you reserve your place for the evening. However, places for this opportunity will be limited to the first two to request a spot. There will, however, be a chance for everyone to record at the end of the session when Duncan will lead the whole audience in a "Descriptive Selection", the name given to novelty recordings of the era. With this in mind members are encouraged to bring along their favourite acoustic sound effect; coconut shells, duck calls, swannee whistles, car horns all welome for the riotous waxy finale.


Link : https://www.mpg.org.uk/events/aprs-e...e-microphones/

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28th May 2015 to 31st May 2015 09:00 AM to 05:00 PM
New Nordic sound symposium sundvolden hotel 28-31 may 2015, norway


It is a great pleasure to welcome to a new sound event organized by Nordic Sound Symposium

Dates
The board has after some discussions decided to settle the dates 28 – 31 May 2015 for the event. Earlier Autumn has been the preferred time of the year but feedback has convinced us that September/ October was not optimal. The surroundings of the hotel is just stunning and we hope for nice weather the last weekend in May.

Place
Traditionally up through the years the Symposiums have been arranged at Bolkesjø Hotel. Bolkesjø has over the years become part of the branding for the event. The hotel closed down some years ago and we had to find another place to go on with. Sundvolden Hotel was chosen. The Hotel is very nicely located close to Tyrifjorden. It is half way to Hønefoss from Oslo. From the city of Oslo it takes 40 minutes by car. From Oslo bus terminal busses go to Hønefoss frequently. The busses stops outside the hotel.

Read more about the hotel here: Sundvolden


Transport
Driving by car – 40 minutes from Oslo City - parking possibilities outside the hotel.

Bus from Oslo bus terminal – check departures here – www.nettbuss.no

Price
The association struggles to keep the price pr. person as low as possible. The cost is set to be 7000 NOK. This includes the following:

Access to all presentations and exhibitions
Hotel accommodation for 3 nights
All meals included in the whole period including the festive dinner Saturday night
Student price 6000 NOK. Student identity card must be valid.

Early Bird:
Registration before 15th of March means the price is reduced to 6500 NOK.

Registration must be done here.

Fill out the form and press the SUBMIT button. Invoice will be submitted to you.

Program
The program is in progress these days. You can read more about the program here.
Kevin Gross, Morten Lindberg, Eddy B. Brixen, Andreas Hildebrand, Nadja Wallaszkovits, Florian Camerer, Jan Lykke, Greg Shay, Fredrik Bergholtz is coming!


Link : http://www.nordicsoundsymposium.no/

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4th June 2015 to 5th June 2015 10:00 AM to 05:00 AM
New WNYC Launches First-Ever Women's Podcast Festival
Nation’s top female podcast hosts and producers gather to workshop the future of dynamic podcast content creation

June 4 & 5 at The Greene Space at WNYC & WQXR

On June 4-5, WNYC, producer of innovative podcasts including Death, Sex & Money, On the Media, Radiolab and Freakonomics Radio, will convene the first-ever women's podcast festival, “Werk It: How to Be a Grown Ass Podcaster.”

Coming just one month after co-hosting the industry’s first podcasting upfront, WNYC is bringing together some of today's brightest women working in audio, digital media and the arts. “Werk It” is an invite-only two-day festival of exclusive industry workshops, panel discussions and networking opportunities, plus two evenings of dynamic live public events.

Guided by a who's who of women in media including Anna Sale (host, WNYC’s Death, Sex & Money, Roxane Gay (author, Bad Feminist), Lulu Miller (co-host, Invisibilia), Crissle (co-host, The Read), among many others, festival participants will spend each day workshopping the challenges behind developing, pitching and producing phenomenal podcasts.

In 2014, the Women's Media Center reported that gender inequality among journalists is evident across all media outlets and reporting on all issues, with men receiving 63% of the byline credits in print, Internet and wire news. A quick glance at iTunes today reveals that only 15 of the top 100 podcasts on iTunes are hosted by women. Spearheaded by Laura R. Walker, president and CEO of New York Public Radio, WNYC's 'Werk It' women's podcast festival will help give voice to the community of women who need to be heard.

“One of the fundamental roles of public media is to bring new voices and new ideas to the forefront,” said Walker. “So far, male voices have dominated the podcasting landscape, but that is changing! This first-ever women’s podcasting festival hosted by WNYC is an indication of that change underway. WNYC is so pleased to have the support of the Corporation for Public Broadcasting as we convene the leading female voices, producers and creative thinkers in audio production to amplify women’s voices, begin new types of conversations and spur further innovation in podcasting.”

The festival’s two special evening events open to the public at The Greene Space at WNYC and WQXR will be available for live streaming and on-demand viewing at http://www.thegreenespace.org/

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5th June 2015 to 6th June 2015 09:00 AM to 05:00 PM
New Brighton Music Conference (BMC), UK

Following a hugely successful debut in 2014, Brighton Music Conference (BMC) returns to the UK’s South Coast city for a two-day event on 5th & 6th June 2015. Reflecting the concept behind BMC, tickets are split between BMC Professional (for industry professionals) and BMC Academy (for students and non-professionals); full details can be found below. Tickets are on sale via the BMC website: www.brightonmusicconference.co.uk

Some of the core contributors and partners for 2015 include YouTube, Facebook, BPI, Beatport, DJ Mag, Music Week, BIMM, Point Blank, PRS For Music, PPL, BPI, AIM, MPA, Access to Music, Youth Music, and LNADJ, with more to be announced.

This year’s sponsors are Native Instruments, Ableton, Allen & Heath, Audio Technica, Focusrite, Novation, Funktion One, PRS for Music, PPL. Sennheiser, and Next Audio Labs. A full list of exhibitors follows below.

The UK’s only electronic music conference, BMC 2014 was hailed as a groundbreaking success by leading music artists, producers, industry figures and students alike. 2015’s event expands BMC’s unique offering. BMC Professional aims to connect music with business, bringing together industry thought leaders through a series of panels to discuss the future sustainable growth of the Electronic Music Industry, targeted networking events and access to the evening schedule of three nights of events and parties across Brighton, with DJ Magazine hosting the official closing party. BMC Academy is about plugging in the next generation and fostering new talent via a series of master classes, panels and talks. Both tickets give access to a two-day exhibition with tech showcases panels and interviews.

BMC’s education partners are Ableton, Native Instruments, Focusrite, Novation, Audio Technica, and Allen & Heath. All of these brands will be holding showcases, while Native Instruments will run a networking event and two educational showcases, with further activities to be announced. Education organisations are represented by BIMM, Point Blank, Northbrook College, Access To Music, Guildford ACM, and DV8.

2014’s event drew representatives from Beatport, Mixcloud, Spotify, Pioneer, Ableton, Funktion One, AEI Media, DJ Magazine and Resident Advisor and many more, who attended and took part in over 70 panels, master classes and showcases. A large number of artists also attended BMC including Above & Beyond, DJ Pierre, Dave Clarke, and Eats Everything. BMC reached a national and global audience, with British dance music fans and industry bigwigs joined by companies and individuals from Australia, San Francisco, India, Mexico, Amsterdam, Norway, Ibiza and Berlin, bringing the total number of attendees to 6500 (2500 to the conference and exhibition and over 4000 to the evening events).

BMC’s advisory panel of leading industry figures includes Mark Lawrence (CEO Association for Electronic Music) Terry Weerasinghe (Beatport), Tony & Ann Andrews (Funktion One), Dave Clarke, DJ Pierre, Huw Owen (BBC Radio 1's Essential Mix), Ralf Kollmann (Mobilee Records), Scott Robinson (Division and Australian Ambassador), Nikhil Chinapa (MTV India and Indian Ambassador), and more.

BMC’s official charity partners include Youth Music and Last Night A DJ Saved My Life (LNADJ). Youth Music provides more than 90,000 young people with the opportunity to make music each year, helping them to overcome the challenges they face in their lives. Last Night A DJ Saved My Life LNADJs is a charitable foundation creating opportunities for the dance music industry to make a positive impact to the lives of young people and their communities – ‘Changing lives, Saving lives’.

Ticket Types:

BMC Professional
  • Early Bird £79 purchase deadline 31st March
  • Normal £99 purchase deadline online 4th June, 5pm

Aimed at experienced industry professionals which include:
  • A two day conference for the Electronic Music Industry featuring insightful panels, and trend discussions with the scene's leading players
  • A two day exhibition with tech showcases, panels and interviews
  • BMC Academy master classes and talks
  • Access prior and during the show to the BMC networking tool enabling you to create meetings with your fellow delegates
  • Live showcases of up and coming talent
  • Access to the mezzanine bar over the two days
  • Entry to networking events each evening
  • Plus BMC endorsed club events on the Thursday, Friday and Saturday night (Entry for each venue is on a first come first served basis subject to each venues BMC capacity)

BMC Academy Pass
  • Early Bird £10 purchase deadline 31st March
  • Normal £15 purchase deadline online 4th June, 5pm
  • Walk Up £18
  • Aimed at those just starting out or looking to break into the industry, aspiring DJs/Producers and Dance music fans
  • Two days of master classes, panels and talks
  • A two day exhibition featuring 60 exhibitors with music tech showcases of the latest equipment, technology and services plus Q&A’s and interviews covering all you need to know to be successful in the industry from DJing and production, to sound, event management, piracy-prevention, marketing, and new technologies
  • Live showcases of up and coming talent
  • Group Tickets for Education providers: £10 above 8 tickets


For the full list see: www.brightonmusicconference.co.uk

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15th June 2015
New Burl audio - flight of the mothership tour at London's Metropolis Studios

WHERE?
At London's Metropolis Studios.

WHEN?
Monday June 15th from 6pm.

HOW DO I BOOK MY PLACE?
Go to; http://www.burlaudio.com/featured-event and complete the online registration form.

CATERING PROVIDED
We'll be laying food and drink on for everyone that attends.

BURL AUDIO - DISCOUNT COUPON
Everyone that attends will be entitled to a 10% off coupon on purchases. Details tbc.

UNITY AUDIO - BOULDER MKII ON TEST
Unity Audio will also have on hand for the event the new Boulder MkII 3 way active moniotrs and the Avalanche 12" sub-woofer too.

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16th June 2015 to 18th June 2015 09:00 AM to 05:00 PM
New Pro-Mix/Master Workshop with Luca Pretolesi, Vegas during EDC week in June, 2015
[INDENT]


EDC is coming and so is another in person Pro-Mix workshop! Join Studio DMI as we open our chambers to true dance music enthusiast during EDC week in June, 2015.

Dates of workshop: June 16-18th
"Its a dynamic workshop working closely with Luca in the same studio that he has worked on such tracks for Diplo, Dada Life, Gareth Emery and many more." - EUMM

One of the students ended the course off by saying “This was awesome! Your content was ridiculously good. I’ve taken a lot of workshops… I just took one by (omitted name) and this one blew it out of the water!” - Studio DMI Student

Day 1
Introduction:
  • Review syllabus and course expectations
  • Orientation and getting to know one another
  • Review required materials – tools of the trade
  • Group listening and analysis of example mixes
  • 15-minute break
  • Clients: creating a relationship with realistic expectations
  • Overview of the mixing process
  • Stereo bus treatment
  • Important mixing considerations
    • Reference tracks
    • Replacing dodgy sounds
    • Drum editing/replacement techniques
  • Leveling and gain staging
  • Frequency spectrum, stereo imaging
  • 15-minute break

Percussion and Bass Processing Selection:
  • Drum bus treatment
  • Kick drum treatment
  • Additional drum and percussion processing
  • Bass treatmento Q&A – Lifestyle: tips and tricks
  • Assignment: Online Quiz 1

Day 2
Synth Processing Selection:

o Synth bussing
o Synth separation
  • EQing
  • Compression
  • Synth panning
  • Synth M/S processing
  • Synth automation
  • Synth saturation
  • Q&A – Lifestyle: tips and tricks
  • 15‐minute break

SFX Processing:
  • SFX bussing
    • Multi‐band compression
  • SFX processing
    • EQing
    • Compression
    • Reverb/Delay
  • Mixing application demo
  • 15‐minute break

Vocal Processing:
  • Vocal bussing
  • EQ
  • Compression
  • De-essing
  • Automationo Time‐based processing
  • Q&A – Lifestyle: tips and tricks
  • Assignment: Online Quiz 2, multi‐track mix session

Day 3
Stereo Mastering:

o Studio DMI philosophy and approach
o Mastering your own mix ‐ enhancement
o Mastering a client’s mix ‐ restoration and enhancement
o Stereo mastering setup
o Stereo mastering demo
o 15‐minute break

Stereo Mastering Part II:
o Loudness and dynamic range
o M/S processing
o Metering Standards
  • RMS
  • Peak
  • K-System
  • iTunes mastering
o 15‐minute break

Stem Mastering:
  • Reasons and benefits to stem mastering vs. stereo
  • Limitations of stem mastering
  • Grouping and bussing
  • Stem mastering demo
  • Stem mastering analysis
  • Q&A – Lifestyle: tips and tricks
  • Assignment: Online Quiz 3, stereo mastering session


Links : http://studiodmi.com/ & http://studiodmi.com/edu-applications/

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25th June 2015 to 28th June 2015 01:00 PM to 09:00 PM
New Guilford Sound hosts Analog Workshop with Larry Crane & Speedy Ortiz, VT


Guilford Sound is now accepting applications for audio engineers interested in learning more about the analog recording process in a small, hands-on environment. Larry Crane, renowned engineer and founder of the world’s most circulated recording magazine (Tape Op ), Will track two songs by MA Rock band Speedy Ortiz while demonstrating the workflow and process of running an analog-based session.


Event Dates: June 25-28, 2015
Location: Guilford Sound. Guilford, VT
Applications Due: April 9, 2015


Website: www.Guilfordsound.com



Quote:
Description of the Analog Workshop from Larry Crane:
Even with the maturing of digital multitrack as an accepted recording platform, many people look back nostalgically at the history of tracking music to tape, and specifically multitrack analog recording. In this course I will be tracking two songs by the group Speedy Ortiz while demonstrating the workflow and process of running a totally analog-based session. Attention will be paid to maximizing track usage,keeping the session productive, and utilizing the best techniques of old school engineering and modern production. Music will be captured on a Studer A827 16 Track 2” “Gold Edition” tape deck and mixed down to 1/4” or 1/2” Ampeg ATR102 decks. This course will demonstrate what a real world, analog-based recording session is all about.


For more information about Larry, Speedy Ortiz, or Guilford Sound please visit our respective website’s below.

http://www.larry-crane.com
http://speedyortiz.bandcamp.com
http://guilfordsound.com

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9th July 2015 to 11th July 2015 10:00 AM to 04:00 PM
New Summer NAMM - Nashville, TN


Nashville Music City Center
700 Korean Veterans Blvd
Nashville, TN 37203

Thursday, July 9 10 a.m.-6 p.m.
Friday, July 10 10 a.m.-6 p.m.
Saturday, July 11 10 a.m.-4 p.m.


Link : https://www.namm.org/summer/2015

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29th October 2015 to 1st November 2015 10:00 AM to 06:00 PM
New AES 139th Convention

The Audio Engineering Society is set to bring the AES139 International Convention to the Jacob K. Javits Center in New York City, NY, October 29 – November 1, 2015 (Conference Oct. 29 – Nov. 1, Exhibits Oct. 30 – Nov. 1). Following highly-successful conventions in Los Angeles (2014) and New York (2013), which saw increased attendance as well as the development of expanded attendee and exhibitor offerings including the Project Studio Expo, Live Sound Expo and High Resolution Audio sessions, the 139th AES Convention will bring together the world’s largest gathering of audio professionals for four days of audio technology, information, and networking. Additionally, longtime industry veterans Jim Anderson and Paul Gallo have been announced as co-chairs for the convention, each lending his own unique and storied experiences to the AES agenda this year.

From recording and production, to broadcast and streaming, game audio, live sound, post-production, sound for picture, product design and more, attendees will have the opportunity to hear from top audio industry figures while immersed in the latest research and technology through informative presentations and special events. Furthermore, the AES will once again present the year’s only dedicated professional audio-focused convention, drawing attendees from every market sector and level of involvement – from students and enthusiasts to leading professionals from every corner of the industry.

AES Executive Director Bob Moses commented, "I'm really excited that Jim Anderson and Paul Gallo have agreed to co-chair our AES139 Convention. Both are legendary in the NY recording, broadcast and pro audio communities, and we expect to hit the ball out of the park in 2015 just like we did recently in L.A. Lots of new ideas are in the works – this is going to be another great year under their leadership and with participation from our amazing exhibitors and sponsors."

EXHIBITION HOURS
October 30th 10am – 6pm
October 31st 10am – 6pm
November 1st 10am – 4pm

REGISTRATION DESK
October 28th 3pm – 7pm
October 29th 8am – 6pm
October 30th 8am – 6pm
October 31st 8am – 6pm
November 1st 8am – 4pm

TECHNICAL PROGRAM
October 29th 9am – 7pm
October 30th 9am – 7pm
October 31st 9am – 7pm
November 1st 9am – 6pm

link : http://www.aes.org/events/139/

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