Just reading an old interview with Omar S (here: Blowing Up Your Spot )
where he says that he is recording all his stuff to minidisc. Now, he talks a lot of **** (which he freely admits to in the interview) and I'm just wondering is this more of him having a laugh or is there an advantage to recording a live performance through your mixer and onto minidisc? I remember hearing something about minidisc having advantages over CD's when it came to sound quality back when they were in common use but I can't be arsed looking it up and I'm sure some GS will be able to fill me in better than google anyway. So, minidisc, what's the story?
I mix through my VS2480 to my akai Z4 all the time. I haven't proven this and it may be crap but I think the vintage samplers do something within the sampling process that effectively compresses the sample.
All I know is it sounds better when I mix to my Z4 than when I mix the tracks down to a stereo track on my VS then export.
It's not off limits necessarily but I wouldn't do it as a matter of course. I use MiniDisc a lot in my work, but more as a barebones sampler with a unique character rather than something that I demand the utmost quality out of. I've never tried tracking a stereo mix down to MD but a lot of popular artists have and it might do something cool to your sound if you're willing to experiment.
I'm surprised some here actually remember MiniDisc. I happen to like the sound, but then I do have a couple of the better recorders. It's far better than tape, though tape doesn't have read errors either.
I found that mastering to MD is somewhat like mastering for mp3, but not quite. ATRAC and the converters do something kind of sweet in its own way to the sound. It's more like compressed CD, if that makes sense. Maybe medium quality mp4. I haven't done it for a while, but then I haven't worked on my own material for a while, but this summer, might have to dust off the ol' recorder.
I still have my minidisc recorder so I'll have to dust it down and record dome stuff straight to it from my A&H mixer and see what happens. I'll just run the DRM1 and Minitaur sequenced by the MPC and see if some magic happens. Any requests? I could bang out some Hall & Oats if u like?
See the comment from that thread about no compression? That's what I was talking about above. I knew I remembered hearing that there was less compression on MD's than CD's and that must have been what I was remembering. The later MD's didn't compress. That's the type I have. I'm pretty excited about recording something straight from the mixer with no computer. I do not want to open a can of worms here... so I'll just leave it there.
(I'm convinced dithering ****s with my mixdowns. There. I've said it.)
Sounds fantastic. I'm not in the studio so I've just got it in my head phones but I'm gonna check it in the monitors asap. How's it sound to you compared to stuff you record and master in the computer?
guys, registered to reply to this.... (got caught by my MD google alert)
a high-end MD setup will record at nearly 20bit resolution, and 48khz sample rate, so it makes a better than CD sound if you're not offended by compression. Type-R or better roundtrip's will introduce very little in terms of audible artifacts. (I wouldn't personally recommend using an ATRAC chip less than v 3.5) For the time this was a very nice recording system.
anyhow i'll be interested to see what you guys who are dusting off the equipment think.
Edit 1: I believe I meant less than v 4.5 (it was a long time ago!)
Edit 2: I think was right the first time, don't go less than 3.5 :-)
Edit 3: gah, after a trip down memory lane it seems the encoded sample rate is the typical 44.1khz
Last edited by speakxj7; 27th January 2013 at 08:14 AM..