Quote:
Originally Posted by
maisonvague
Mine doesn’t overheat.
I’m also not so sure its reputation was as sullied as you’re making.
But it did have issues. No getting around that.

It’s all good. I’ve already conceded the dual manual P-10 is rather homely.
I still love it, though.
It’s funny you should mention double-neck guitars in connection with the P-10 today because I made just such a connection thinking how, with the passage of prog-rock to the history books and fringes, we aren't likely to see dual-manual synths again.
About the ergonomics, I will assume you’ve never played one (no snark intended btw). It’s not as bad as it looks. In fact, it feels great to play. Also, the controls aren’t too far away (and I’ve not got long arms).
It could be a problem, though, for someone with a protruding gut (not implying you have one, of course

). I’m not without a bit of a gut myself and yes, there are times when it can feel a bit too close to the lower keyboard when reaching for controls. But overall it’s still a great playing experience. Most often, I position myself for playing rather than tweaking. The Prophet 5/10 has never been much of a "tweaker's synth" for me. It's mostly about programming, then playing, using CV pedals. On the OG P-10 you can control more than just filter cutoff with CV pedals (of which there are two) but also pitch, modulation amount, and the VCA.
I meant the single manual rev 1 prophet 10 that they only made a few of then stopped due to overheating, hence the prophet 5 being born instead! The double manual P10 of course didn’t overheat cos of the sheer size and the, I believe, refined components when they returned to making it. I combined all the downsides of OLD Prophet 10s in one list cos the rev 4 is any of this things. Made that clear later with the ref to the early (and thus overheating) ones looking like the rev 4 and looking good.
No my gut doesn’t protrude

just looks like bad ergonomics regardless of body shape, fair enough you have one and say it’s not as bad as it looks, I get that, but again...tastes differ and I’ve never found the double manual P10 a particulary good looking synth. It does look dramatic and powerful though and some like that. In other news I’m not a massive fan of the oversized obx/8 with their disproportionate keybed to control panel housing size yet many claim they are beautiful, just tastes.. I like vintage but not things that take function over form to an obvious, early tech impeded, extreme such as these. The prophet 5 however has always look beautiful and still does even with it’s grannies sideboard word panels

due t the shape and colouring of said wood. Some classic shapes just work like the telecaster, prophet 5 etc... others were kinda fugly and bodge jobby even at release, usually due to technical limits like heat or component size. Another example is the wart like heatsink stuck on the rear of the Jupiter 8.
Not saying this makes any of those synths undesirable or not classic but certain aspects could be improved. The fact that we can now get a non overheating 10 voice prophet in the “proper” original sleek design is something to be happy about.
I’m not a prog rocker, I will play two keybeds on two diff synths one above the other, when needed, I just never felt that inclination to do that on the same synth with two keybeds, esp one that only has 10 voices anyway... in context , I get how awesome and powerful that feature was back in 1980 as do all the big names who used prophet 10s. In 2020, to me, they just look excessively overblown and a little bit spinal tap.
But I’d have been more than happy to have had one all these years for the main thing, their sound, so congratz on all the years of ownership and the rarity of it.