CONTROL ROOM MONITOR The B26 ORCA is the most highly evolved of all aquatic species. One who uses sonic superiority and harmony to dominate his environment, the ORCA is the APEX PREDATOR of all of the oceans of the Earth.Thriving off of the Island of VANCOUVER, pods of ORCAS silently stalk their prey, present just under the surface; listening, threatening. The ORCAS superior sonic 3D imaging gives them an unfair competitive advantage over whatever they may view as prey. Surfers fear great white sharks. Great white sharks fear ORCAS. Building on its reputation of sonic superiority, BURL AUDIO introduces the ultimate in control room monitoring, the B26 ORCA. The B26 ORCA utilizes the same analog, discrete circuit path philosophy as prior BURL AUDIO products with the emphasis on the ultimate in sonic transparency and 3D stereo imaging. Evolve your listening, mixing and mastering through the B26 ORCA and give you and your ears an unfair competitive advantage. Features: • Direct coupled, discrete, class-A signal path • 3 stereo mix inputs, 2 stereo tape return inputs, RCA stereo input • 2 stereo speaker outputs • Audiophile 0.1% matched resistor, stepped attenuator for control room level • Independent studio/phones send and level • External meter output • Control room and Studio headphone outputs
hi Immersion does Source has analog stepped attenuator on the volume pot like Monitor ST or Burl b26 Orca?
Let me start this off by saying; you should never go to the NAMM show. Burl BDA4M card with 11 and 14 op amps. Burl B26 Orca Dangerous BAX eq Highland Dynamics BG1 Highland Dynamics 2 channel pre amp Slate Raven MTZ Flock Audio Patch Pulse Technique’s EQP 1A
...and really like Burl products. My fully loaded mothership with the new DA’s I have changed out to the B26 Orca. It’s not mobile, but very functional and the sound is crystal clear with the complete Burl set up that I have. Just another idea from the big three. You will not go wrong...
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