Very interesting readings, and a huge thanks for letting us all feel the atmosphere of recording with giants. I feel my question might be like asking the king of a beautiful country how he manage the infrastructure, but still, I find it important so here goes:
Reading your posts it's quite clear that you strive for a natural sound, and one important part for that is the AD/DA converters, and to get some pointers from a man who was in the industry when it went from analogue to digital(and delivers some of the most beautifully sounding recordings to date) would be pure Christmas!
I know, "Use my ears!" but I can't do that with all the converters out there, so if you could mention some you find good or natural, Please, reply
Thanks!
Very interesting readings, and a huge thanks for letting us all feel the atmosphere of recording with giants. I feel my question might be like asking the king of a beautiful country how he manage the infrastructure, but still, I find it important so here goes:
Reading your posts it's quite clear that you strive for a natural sound, and one important part for that is the AD/DA converters, and to get some pointers from a man who was in the industry when it went from analogue to digital(and delivers some of the most beautifully sounding recordings to date) would be pure Christmas!
I know, "Use my ears!" but I can't do that with all the converters out there, so if you could mention some you find good or natural, Please, reply
Thanks!
Hello Mr Swedien,
It's very interesting to know that you use the UA 2192.
Do you use them for your Protools outputs to your desk?
So you need 24 UA 2192 to obtain 48 tracks?